Melanie Denholme

Berani Egostro

Julie Sitemba

Shaz Lancaster

A woman finds herself alone with a strange man. No comprehension of what came before or what will happen. An ancient evil takes hold and suddenly life changes.

Katherine Morrissey, a former Christian missionary, lost her faith after the tragic deaths of her family. Now she applies her expertise to debunking religious phenomena. When a series of biblical plagues overrun a small town, Katherine arrives to prove that a supernatural force is not behind the occurrences, but soon finds that science cannot explain what is happening. Instead, she must regain her faith to combat the evil that waits in a Louisiana swamp.

Within the decadent walls of the Frankenstein mansion, the Baron and his depraved assistant Otto have discovered the means of creating new life. As the Baron's laboratory begins to fill up with stitched body parts, the Baroness dallies with the randy new manservant and soon the decadent, permissive household is consumed by an outrageous, bizarre and hilarious combination of death and dismemberment.

Once a Satanist who surrendered her soul and body to the devil himself, Carlotta Rhodes begins to regret her tryst with Lucifer when her teenage daughter, Daria, starts showing the evil influence of dear old Dad. Convinced that she can stop the devil's power on earth, Carlotta calls upon an exorcist for help.

A young couple, Rosemary and Guy, moves into an infamous New York apartment building, known by frightening legends and mysterious events, with the purpose of starting a family.

A rare book dealer finds himself at the heart of a string of paranormal events when he is hired to find the last two copies of a text, The Nine Gates of the Kingdom of Shadows, capable of summoning the Devil.

The prejudiced Christian, Chrissander, has traveled far on a pilgrimage, but what will he do when he finds out that the people he is resting with are two gay men?

One of three films made as part of the multi-media project ‘Doem, Dood & Verderf’ (2017) by Mees Joachim, chronicling the most traumatic moments from three of their prior long-term relationships. This multi-media project took the form of twelve 100x65cm illustrations, 4 per relationship, an EP released as Pink Boah (Zalmroze in collaboration with Jerboah) and three experimental films backed by the three title tracks from the Pink Boah EP. Each of the three films is a self-projected character study, with the three relationships being depicted and acted out, by the artist and a placeholder model, through physical performance and touch. Visually it is most in line with the artist’s photographic series "The Gaze Upon The Male Gaze”, made for Sauce Magazine, with both the films and that photo series being highly sexploitative in nature.

A public relations firm is really a front for a devil-worshiping cult that kidnaps young models to sacrifice to the devil. A reporter stumbles onto their operation.