Nour El-Sherif

Mahmoud Abdel Aziz

Hussein Fahmy

Noura

Amina Rizk

A family inherits their father's drug business which leads to their undoing.

The film is an Egyptian adaptation of a play by Marcel Pagnol, transposed into an Egyptian and Arab context. It follows the story of a shy, naive professor who allows himself to be exploited by an aristocrat or influential figures—depending on the interpretation—in a gambling scheme or a con. As the plot unfolds, the professor undergoes a moral transformation, coming to accept and eventually adopt behaviors that were initially alien to his nature. The narrative explores two central themes: the temptation of corruption and the clash of cultural codes—specifically between Western culture and the Arab/Cairene society depicted in the film.

Four people from an Arab generation roaming over the ruins of ideologies, causes and virtues of their predecessors. It portrays their intellectual and emotional nonchalance about what is happening around them in their daily lives and relationships. In a house whose architecture is a sixties' experiment in mixing modern and Islamic architecture, a stone and concrete cube suspended over a rocky shore bashed by the waves of the Mediterranean, by famed Iraqi architect Refaat Chaderji, we spend a night with four characters whose non-stop conversations and peculiar actions reflect the void and chaos they are living in.

Youssef joins a United Nations disaster-fighting group dubbed the Desert Cat. When he discovers an alternative for petrol, an international gang tries to steal his discovery and recruits a girl to seduce him.

Set in the suburbs of Cairo in the late 1930s, the story follows a middle-class Egyptian family grappling with the hardships of life after the death of their father, their sole breadwinner. The mother and her four children—three brothers and their sister, Nefisah—struggle to avoid slipping into poverty. They all go in different directions which aren't exactly good.

After a "white lie" which spirals out of control, a neurotic, naive and musically gifted Muslim cleric's eldest son must follow through with an arranged marriage, except he is madly in love with an Australian born-Lebanese girl.

The film revolves around an officer who examines some social issues, especially those related to the crises of the poor within moled el saida, and the problems they face.

Mahgoub is a villager who moves to Cairo in search of a better life. When he enlists friend Salem's help to find him a job, Salem not only gets him a job at the ministry where he works but he finds him a bride as well. But the bride is the mistress of Qasem Bek, who will be visiting her once a week.