A city that has been living for two years with the law that prohibits "clandestine parties". A youth who, when reunited, risks receiving a police raid on their doorstep, in the street, in the park or in the square. Spatial segregation, denial of the right to the city and public space for the leisure of the poor, black and peripheral. Willingness to make art, create music, lyrics, poetry, beats, hits and spread culture in this repressive scenario.

When is a laundromat more than a laundromat? How about when it's a bar? Or a venue for the best underground hardcore music in the city? Or when it's a home for a group of outsiders who are proud to not fit in. How about when it's all of that and more? Dirty Dungarees is the unexpected hub of the hardcore scene in Columbus, Ohio, cultivating a community unlike anything else in the city.

Pull back the curtain on the remarkable history of six decades of James Bond music,  from Sean Connery’s Dr No through to Daniel Craig’s final outing in No Time to Die.

When an academic unearths a forgotten history, residents of the small township of Pukekohe, including kaumātua who have never told their personal stories before, confront its deep and dark racist past.

A look at the work, life and eventual death of singer-songwriter Chris Whitley, whose many albums (on both major and indy labels) received universally good reviews, earning him a fan base among top tier musicians and journalists; though never bringing sustained mainstream success.

Dither: The D.I.Y. Sound is not your conventional punk rock documentary. In this documentary we explore the ideologies created by cornerstones of the early punk community such as Ian Mackaye of Minor Threat, Fugazi and Dischord Records. But beyond that, we explore the communities and people that have adopted these ideologies and created their own version of what it means to be D.I.Y. This is not a documentary about just music, it's a documentary about the communities that surround the music and embrace it as a way of identification and brotherhood. But this documentary doesn't just ask questions about the culture, it asks questions about how it's possible to maintain a culture that is, at it's core, so opposite of the modern economic and social system.

Amid the civil-military dictatorship implanted with the 1964 coup, Sergio Muniz had the idea of making a documentary about the action of the Death Squad. At the time,  the press still had some freedom to disseminate the work of these death squads formed by police officers of various ranks, and that he acted on the outskirts of cities like Sao Paulo and Rio de Janeiro. The victims of police repression (as today) were men, poor and black, and this condition is supposed criminals.