Flush riveting is a way of connecting two pieces of sheet metal together, using rivets whose heads do not protrude above the surface of the metal. In aircraft construction, a flush rivet reduces drag, thus increasing aircraft performance. This World War II-era Walt Disney industrial-training film teaches four methods of flush-riveting aircraft aluminum sheet metal: the Countersink method, the Double Dimple method, the Pre-Dimple method, and the Combination Pre-Dimple and Countersink method. The choice of method to use is based upon the thicknesses of the top and bottom metal sheets.

A trippy pop-art collage of phallic objects, naked women and American icons, most notably Elvis Presley.

A deer, disillusioned by the consumerism that defines his life. A lizard, ostracized from society, forever wandering. A chance meeting in the middle of a field. Who will survive? And who will transcend existence? Preserved by the Academy Film Archive in 2009.

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on.  Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

A 13-minute documentary film depicting life in Prague.

A medium-length film that takes the central place in the video installation "The Lady of Corinth". In both the medium-length film and the installation, Guerin delves into the relationship between cinema and painting based on Pliny the Elder's account of the invention of painting.

A solitary man works in a tall office building. The only moment in his drab life that's out of the ordinary each year seems to be opening the birthday card and gift from his mother. Usually it's a tie, but one year it's an accordion. It goes into the closet with his many ties. A year or two later, he discovers what happens to the papers he processes every day. His discovery sends him first to the building's top floor, then to his closet.

Warsaw's Central Railway Station. 'Someone has fallen asleep, someone's waiting for somebody else. Maybe they'll come, maybe they won't. The film is about people looking for something.

This is a film about a man without a face. His arms and legs, bound with ropes, the disabled man is still without even a shudder in a white room. A series of unusual scenes in this room expresses what lies between memories, nightmares, and violent images.