Ivy Souza

Tamirys O'Hanna

Two girls run away from the police after the Women's March. In the midst of violence, they find a way to live their desire.

A young sex worker from Brooklyn gets her chance at a Cinderella story when she meets and impulsively marries the son of an oligarch. Once the news reaches Russia, her fairytale is threatened as his parents set out to get the marriage annulled.

Edgar is an artist living in Paris during the 1920s who believes that sex is a subject of vital importance, but almost no one discusses it with the gravity it deserves. With this in mind, Edgar gathers together a panel of fellow creative types at the home of the wealthy tycoon Faldo and his oddly accented spouse Sasha for an evening in which they will discuss their erotic lives without self-serving wit or exaggeration.

A group of former collegians are confined by a victim they had ragged 15 years ago.

Elli and Marco are an unquestionably unusual wedded couple. Due to a damage as a kid, Marco harbors homosexual drives that he represses inside his married life and Elli is a barely surpressed nymphomaniac. The marriage is useful for both of them as it allows them to blend in within the confines of their regular social life in a sanctimonious provincial town. But then a strange woman bursts into their world and Marco's deviant behavior come to light again but now he has a thirst for murder.

Upon settling in the countryside village of La Escapa, Nat accepts a disturbing sexual proposal by neighbour Andreas, paving the way for a self-consuming passion.

AYT Senior present a complete performance of Oscar Wilde’s Salomé

X-ray images were invented in 1895, the same year in which the Lumière brothers presented their respective invention in what today is considered to be the first cinema screening. Thus, both cinema and radiography fall within the scopic regime inaugurated by modernity.  The use of X-rays on two sculptures from the Bilbao Fine Arts Museum generates images that reveal certain elements of them that would otherwise be invisible to our eyes. These images, despite being generally created for technical or scientific purposes, seem to produce a certain form of 'photogénie': they lend the radiographed objects a new appearance that lies somewhere between the material and the ethereal, endowing them with a vaporous and spectral quality. It is not by chance that physics and phantasmagoria share the term 'spectrum' in their vocabulary.