Westbrook Van Voorhis

Documentary short film reporting on the activities of the American Red Cross and the useage made of contributed funds for the previous year.  Preserved by the Academy Film Archive in 2012.

Primary is a documentary film about the primary elections between John F. Kennedy and Hubert Humphrey in 1960. Primary is the first documentary to use light equipment in order to follow their subjects in a more intimate filmmaking style. This unconventional way of filming created a new look for documentary films where the camera’s lens was right in the middle of what ever drama was occurring.  Preserved by the Academy Film Archive in partnership with The Film Foundation in 1998.

Documentary short explaining proper techniques for handling and disposal of incendiary bombs.  Preserved by the Academy Film Archive, from the Academy War Film Collection, in 2009.

Short documentary extolling the virtues and necessity for women to participate in America's preparation for war, showing women working in scientific, industrial, and voluntary-services activities.  Preserved by the Academy Film Archive in 2008.

This 10-minute short documentary exploring the shifting state of the American poultry industry was preserved in 2015 from an original nitrate print. More information is available on the film's page in the National Film Preservation Foundation's website, where this version can be found featuring original music by Michael D. Mortilla.

Albert and David Maysles (Gimme Shelter) directed this 53-minute documentary about movie tycoon Joseph E. Levine (1963).

A documentary abstraction recorded at night in Los Angeles backed by the music of Stockhausen. It is a preliminary effort to organise camera and audio images through a cybernetic editing model and a digital computer.  Preserved by the Academy Film Archive in 2013.

This Oscar-winning documentary tells the story behind Japanese daredevil Yuichiro Miura's 1970 effort to ski down the world's tallest mountain.

"Whereas SQUARE INCH FIELD was composed largely in the camera, Rimmer's next film, MIGRATION, made full use of rear-projection rephotography, stop-framing, and slow motion. The migration of the title is interpreted as the flight of a ghost bird through aeons of space/time, through the micro-macro universe, through a myriad of complex realities. A seagull is seen flying gracefully in slow motion against a grainy green sky; suddenly the frame stops, warps and burns, as though caught in the gate of the projector. Now begins an alternation of fast and slow sequences in which the bird flies through time-lapse clouds and fog and, in a stroboscopic crescendo, hurtles into the sun's corona. Successive movements of the film develop rhythmic, organic counterpoints in which cosmic transformations send jelly fish into the sky and ocean waves into the sun." - Gene Youngblood.  Preserved by the Academy Film Archive in 2014.