Nick Schatzki

Kirk Johnson

Gaël Clément

Patrick De Wever

Sylvie Crasquin

Five times, Earth has faced apocalyptic events that swept nearly all life from the face of the planet. What did these prehistoric creatures look like? What catastrophes caused their disappearance? And how did our distant ancestors survive and give rise to the world we know today?

Take A Spectacular Journey.  It Starts Right Here...  Arabia: Sand, Sea & Sky  Take a stunning tour of Arabia's natural world- a land of vivid contrast and splendor. Your journey begins in the magnificent coral reefs of the Red Sea where barracuda, giant mantra rays, and sharks comb the fertile waters. Then, high in the cliffs of the great mountain barrier, you will be fascinated by the complex social behavior of a troop of baboons. As you descend into the foothills, thousands of migrating birds converge, including the flamboyant Abyssinian Roller which will dazzle you with its brilliant feathers and swooping aerobatic dives. Finally, travel by camel across the immense sculptured desert, as the Bedouins have for more than thirty-five hundred years on an expedition you will never forget in ARABIA: SAND, SEA, & SKY.

This chronicle of the Christchurch Commonwealth Games marked one of the National Film Unit's most ambitious productions. Though a range of events (including famous runs by John Walker and Dick Tayler), are covered, the film often bypasses the pomp and glory approach; instead it dares to talk to the injured and mention that most competitors lose. The closing ceremonies of the "friendly games" feature the athletes gathering to — as the official song's chorus put it — "join together". Four directors joined together to work on it: Arthur Everard, John King, Paul Maunder and Sam Pillsbury.

In a remote corner of Antarctica, a group of killer whales capture their prey in the most extraordinary fashion. Swimming together, they create waves so powerful and accurate, they can wash a seal right off a piece of floating ice—some of the most sophisticated behavior in the animal kingdom. The hunting technique of pack-ice killer whales has intrigued scientists for decades, and there is still so much unknown about the species. Each scientist on the expedition hopes to discover new truths about these whales.

Based on home movies shot on Super 8mm film, A Family Film places the mother at its center as the narrator while tracing the memories of a family living in Istanbul in the 70s.

La doble vida del faquir (The magicians) returns to the scene of a school in the Catalan town of Sant Julià de Vilatorta where, in 1937, in the midst of civil war, a film-maker in hiding and a group of orphaned children dressed up as sultans and explorers shot an exotic adventure film. The films protagonists relive those childhood days when they were able to switch their school smocks for oriental turbans, while reality imposed its own fancy dress ball with military uniforms and priests dressed in civilian garb.

Every year, thousands of Antarctica's emperor penguins make an astonishing journey to breed their young. They walk, marching day and night in single file 70 miles into the darkest, driest and coldest continent on Earth.  This amazing, true-life tale is touched with humour and alive with thrills. Breathtaking photography captures the transcendent beauty and staggering drama of devoted parent penguins who, in the fierce polar winter, take turns guarding their egg and trekking to the ocean in search of food. Predators hunt them, storms lash them. But the safety of their adorable chicks makes it all worthwhile. So follow the leader... to adventure!!

If there is one person Matthew Lancit can’t get out of his mind, it is his uncle Harvey. Dark rings around his eyes, pale, blind, his legs amputated. Like Harvey, the filmmaker also suffers from diabetes. He has the disease under control, but one question is always nagging at him: How much longer? His long-term (self-)observation reliably revolves around fears of infirmity and mutilation. He translates the feared body horror into film, stages himself as a zombie, vampire, a desolate figure. Lancit playfully anticipates his potential decline, serving up a whole arsenal of effects which – as video recordings prove – go back to his youth. It is not for nothing that the “dead” in the title is also reminiscent of “dad.” Because “Play Dead!” also negotiates his own role as a father.