Elizabeth Hurley

Chris Connelly

Britt Ekland

John Barry

Pierce Brosnan

Elizabeth Hurley hosts a one hour documentary on the history of the James Bond film series to tie in with the seventeenth Bond film, GoldenEye.

An exploration of the appeal of horror films, with interviews of many legendary directors in the genre.

Film producer Sy Lerner makes a bet with a fellow film executive that he can turn any nobody into a star at the Cannes Film Festival. A New York cab driver who is visiting the festival is chosen as the test subject to settle the bet and Sy uses his skills of hype and manipulation to try and turn the cab driver named Frank into the talk of the town. Many celebrities make cameos throughout the film.

The special examines the legal complaint brought against Justin Baldoni by Blake Lively, alleging he engaged in sexual misconduct on the set of his film, It Ends With Us, and hired a PR firm to engage in an online smear campaign against her to keep her quiet. Baldoni denies the allegations and has responded with a $400m counter-suit, accusing her of defamation. With the trial set for March 2026, the special examines the evidence on both sides and the response to the dispute on social media.

A tribute to the work of Alfred Hitchcock, featuring contemporary filmmakers, writers, performers, and cultural critics.

An account of the professional and personal life of renowned American photographer Annie Leibovitz, from her early artistic endeavors to her international success as a photojournalist, war reporter, and pop culture chronicler.

Documentary about the making of the 1996 horror-comedy.

In 1988, German filmmaker Volker Schlöndorff sat down with legendary director Billy Wilder (1906-2002) at his office in Beverly Hills, California, and turned on his camera for a series of filmed interviews. (A recut of the 1992 TV miniseries Billy, How Did You Do It?)

How the cinema industry does not respect the author's work as it was conceived, how manipulates the motion pictures in order to make them easier to watch by an undemanding audience or even how mutilates them to adapt the original formats and runtimes to the restrictive frame of the television screen and the abusive requirements of advertising. (Followed by “Filmmakers in Action.”)