The Bang Bang Club were four fearless young photographers who set out to expose the reality of Apartheid in South Africa - a battle that changed a nation but wound up almost destroying them.

This is Gaston Rebuffat's fourth film, in which, with several close friends, he discovers the sublime landscapes of the Alps. “Mont-Blanc is beautiful. I climbed it several times depending on the time, the color of the sky and the shape of the cornices and ridges. Because of the weather and also because of this feeling of altitude, Mont-Blanc provides great pleasure. For the guide, Mont Blanc is his garden, but the garden becomes more beautiful when shown to a friend. Personally, I really like the bivouacs; only there one penetrates a little the mystery of the altitude. That's why I immediately accepted when Tazieff expressed the desire to spend the night at the top of Mont Blanc in an igloo. The film won the Grand Prix at the Trento Film Festival in 1961.

An investigation of "disaster capitalism", based on Naomi Klein's proposition that neo-liberal capitalism feeds on natural disasters, war and terror to establish its dominance.

Following the Prophet Muhammad’s (PBUH) recommendation to journey to three mosques - (in Makkah, Madinah and Jerusalem), this film sets out in the company of British bass player Danny ‘Hamza’ Thompson to discover the reasons why the last of these three holds such an important place in the hearts of Muslims everywhere.

Award winning documentary filmmakers, Robin, Kathy and Shelly Beeck, with the help of filmmaker Michael Moore, have spent the last five years filming a 60-minute feature-length documentary on Bredo Morstoel, a Norweigan who was frozen by his grandson in 1983. Since then, the world famous...well...stiff has been lying under 800 pounds of dry ice in a TUFF SHED behind his grandsons' castle-like house in the 9000-ft Colorado ski town of Nederland. The grandson, Trygve Bauge, has long since been deported back to Norway, but Grandpa Bredo has remained, unwittingly becoming a worldwide symbol of the legal rights of the temporarily dead....

In the chaotic aftermath of the fall of Saddam Hussein, Fakhir, a father of eight, is serving in the Iraqi army. All around him, he sees innocent civilians getting injured by landmines, so he determines to disarm them with his own hands, using just a pocketknife and some wire cutters. He clears thousands of roadside bombs, mines and car bombs, knowing that every time he cuts a wire it could cost him his life—which he seems to find less important than the lives of others. In 2014, by this time having lost a leg, he starts working for the Kurdish Peshmerga, disarming boobytraps left behind by Daesh in and around Mosul. An enthusiastic home video maker, Fakhir collects hundreds of hours of footage of his day-to-day work.

World War II propaganda film made to show an American audience that the Dutch were and would continue to be valuable allies in the fight against the Axis powers.

Twelve Palestinian women sit before us and talk of their life before the Diaspora, of their memories, of their lives and of their identity. Their narratives are connected by the enduring thread of the ancient art of embroidery.  Twelve resilient, determined and articulate women from disparate walks of life: lawyers, artists, housewives, activists, architects, and politicians stitch together the story of their homeland, of their dispossession, and of their unwavering determination that justice will prevail.  Through their stories, the individual weaves into the collective, yet remaining distinctly personal.  Twelve women, twelve life-spans, and stories from Palestine; a land whose position was fixed on the map of the world, but is now embroidered on its face.