Fred Duck

Birit Haarla

Katja Haarla

Åsa Simma

Mark Alikaswa

Markku Lehmuskallio has devoted a large part of his documentary work to the indigenous people of the Arctic Circle. In this latest film, co-directed with his son Johannes Lehmuskallio, he composes a fascinating poetic ethnography inspired by the singing, dancing, forms of contemporary existence and, above all, the vital breath of these nomad communities mistreated by History.

An immersive look at São Paulo Dance Company

In 1974 a group of Mohawk Indians occupied a defunct girls camp in New York's Adirondack mountains and established a community they called Ganienkeh. Aiming to practice a more traditional lifestyle, and asserting aboriginal title to the land, they stayed for three years, having occasional violent clashes with the local residents. In 1977 they negotiated a (somewhat complicated) land swap with the State, and agreed to move to a permanent home near Plattsburgh, New York, where they remain today. Ganienkeh is one of the only examples of an indigenous people successfully reclaiming land from the United States, but it may not be the last.

An inverted Looking 4 U, a dance undetected by modern computer vision.

Midsummer celebration with dance and courtship in the idyllic Swedish landscape.

Showman Jerry Travers is working for producer Horace Hardwick in London. Jerry demonstrates his new dance steps late one night in Horace's hotel room, much to the annoyance of sleeping Dale Tremont below. She goes upstairs to complain and the two are immediately attracted to each other. Complications arise when Dale mistakes Jerry for Horace.

Documentary capturing the rise of all-male dance company, BalletBoyz from first auditions to a performance in Addis Ababa City Hall, Ethiopia.

A chronicle of the lives of several teenagers who attend a New York high school for students gifted in the performing arts.

In 1995, the Chilean state made a grave mistake when it detained Marcelina (68), an Indigenous spiritual authority, a machi of the Mapuche people. The police stripped her of her jewelry and traditional clothing and sent her to a men’s prison despite her identifying as a woman. She was unjustly accused of murdering a patient through witchcraft, triggering feelings that led her to leave her community, even after her innocence was proven. Thirty years later, Cons (34) delves into her story—into a world foreign to her—confronting lessons and prejudices she had never known.