Anna Murdock

Shirley Mason

Mabel Trunnelle

Henry Stanford

Bigelow Cooper

A six-part adaptation of William J. Locke's novel "Where Love Is."

When his ne'er-do-well brother embezzles the commissary funds of their cavalry unit stationed in the Sudan, a British soldier takes the blame for him. He winds up deserting his post and joining up with a traveling vaudeville troupe. He falls in love with a pretty young woman in one of the show's acts but finds that a local Arab sheik has his own plans for the young girl.

Johnnie Gains, son of a farming couple, is industrious and imbued with a spirit of sacrifice. Rejected for military service because of an eye injury, he enlists in the Salvation Army.

Just as Galeen and Wegener's Der Golem (1915) can be seen as a  testament to early German film artistry, The Story of the Kelly Gang (1906) symbolizes both the birth of the Australian film industry and the emergence of an Australian cinema identity. Even more significantly, it heralds the emergence of the feature film format. However, only fragments of the original production of more than one hour are known to exist, preserved at the National Film and Sound Archive, Canberra; Efforts at reconstruction have made the film available to modern audiences.

Ranch hand Tommy Dawes has a special bond with little Rosemary, the crippled daughter of his boss Bill Nyall. When Tommy accidentally breaks Rosemary's favorite doll one day, he borrows a $20 gold piece from the foreman's mattress to go to town and buy a new doll. However, on the way there he is ambushed and robbed by an escaped convict

Billie Dove, as Elena, pulls out all stops as a Russian princess and a woman-of-the-streets in Paris in an exotic romance and hand-wringing drama set in two countries and the way-stations in between.

A young sailor named John Shreve on the cargo ship Golden Bought falls for a woman, Mary, who is trying to escape the ship's brutal environment and tyrannical captain, Simon Gant.

A melodrama about a painter who is infected with syphilis, refuses treatment, turns to the use instead of narcotics, and withers away.

An exposé of the "fake" or "wicked" Bohemian social circles, highlighting the moral consequences of their actions. The film features a "pleasure-seeking" philosophy, evidenced by the intertitle that read, "May we help ourselves to life's pleasures?"