This is a film about workers, a film about the poor who were dragged out of homes and about his father. Director Park films his father who has lived as a laborer all his life, his weakened body, and nine years of time flowing over it. Park brings an impartial view of his father’s life. His father does not try to impart a particular value in front of the camera. What remains is to wonder where this cruel reality comes from.

Oh Minwook’s Eternal Brightness, adapted from Jo Gapsang’s novel Eye of the Night, narrates the past and the present lives of the characters who have lived through the contemporary history of Korea, from the Korean War in the 1950s to the Busan-Masan Democratic Protests calling for the Park Chung-hee administration’s Yushin regime in October 1979.

The Lotte Giants is a huge part of Korean professional baseball's history. 30 years have passed since their last win in 1992. Now, they are tired of self-dissing mixed with resentment against the club and players.  But, why can't they leave even though they know? Why won't the 'Talde effect' work? Why do they get excited when spring comes? Why are they so sure the win rate will be over 50%?  Now here, nevertheless, with fans moving to Sajik Baseball Stadium, the 40-year history of the Giants unfolds centered on former and current Lotte Giants players.

Names of Revolution recalls the memories of those who participated in the struggle to rewrite the history of the “Busan-Masan Democratic Protests,” which has been under-represented in modern Korean history. As the then college students, seamstresses, mold technicians, combat police, workers, bus drivers, advertising planners, and photojournalists pour out their memories from over 40 years ago before the camera, vivid words come to life.

Still and All is a story about the souls living beneath the Yeongdo Bridge in Busan. Yeongdo and its bridge offer a historical space with lingering traces from the Japanese colonial era to the Korean War. The people under Yeongdo Bridge, reconstructed in 2013 after 47 years, are driven to move when the vicinity around it is designated a Special Tourist Zone.

Gukdo Art Cinema located in Daeyeon-dong, Busan is one of the most representative cinema in Busan for independent films and arthouse films along with Cinematheque Busan (currently moved to Busan Cinema Center) and Art Theater C+C. Gukdo opened in 2004 in Nampo-dong and moved to Daeyeon-dong in 2008 and has been a home for cinephiles in Busan and nearby areas for the last 10 years. The theater closed its operations on January 31st, 2018 after the building owner had refused to renew its contract. The last month of the theater is recorded in the movie Last Scene.

In 1988, workers at the 'Busan Working Women's House' study the Labor Standards Act, receive overdue salaries, and take menstrual leave and pre- and post-partum leave. As the subdivided women's movement develops, Busan women also take to the streets to fight against domestic and sexual violence. Around the same time, female students in Busan and South Gyeongsang Province actively campaigned to create school rules to regulate sexual violence in universities. In 2000, Pusan ​​National University's first feminist festival

Stories about the late President ROH Moo-hyun and BAEK Moo-yun - a man who once lost a congressional election - are intersecting and touching each other. This documentary tells a story about two men that dreamed about living in a country where the people come first.