Suzanne Vogdt

Hans Henrik Wöhler

Portrait of the Italian sculptor Donatello (1386-1466), a precursor of the High Renaissance who considerably influenced sculptural art with his innovative way of conceiving space. Donatello is already a legend in his own lifetime. The sculptor is the forefather of the High Renaissance and pioneer for artists such as Raphael or Michelangelo. His bronze sculpture of the "David" or the "Pazzi Madonna" in marble are icons of art history and testify to his sculptural power of renewal.

By decoding ancient hieroglyphic texts, Jean-François Champollion gave voice to an enigmatic civilization, but behind his legendary feat is a mysterious brother who made it possible. The recent discovery of correspondence between Jean-François Champollion and his brother Jacques-Joseph now allows us to fully understand how a young, self-taught genius was able to make one of the most important discoveries of the 19th century. Without the ingenuity and unfailing support of his older brother, Jean-François would never have succeeded in solving this enigma, which had international repercussions. With animated sequences of their private correspondence, and with the help of archives and expert analysis, this film revisits this unique scientific, human and intellectual adventure to celebrate the bicentenary of the decoding of hieroglyphics.

Most of us think of death as something clear-cut, and that medical science has it neatly figured out. This feature documentary explodes such assumptions through its exploration of a phenomenon that blurs life and death to an unprecedented degree.  In what Tibetan Buddhists call tukdam, advanced meditators die in a consciously controlled manner. Though dead according to our biomedical standards, they often stay sitting upright in meditation; remarkably, their bodies remain fresh and lifelike, without signs of decay for days, sometimes weeks after clinical death.  Following ground-breaking scientific research into tukdam and taking us into intimate death stories of Tibetan meditators, the film juxtaposes scientific and Tibetan perspectives as it tries to unravel the mystery of tukdam.

The moral dimension of humanity's interaction with nonhuman animals and the industries that profit from their exploitation, as informed by world religions. A historical explanation of how the current global situation came to be.

Lahoriye is the story of love. The love which does not see boundaries, the love which does not see nations. Kikar Singh (Amrinder Gill) is a clerk at DTO office and his family holds a piece of land which is right at the LOC. The people living in Border areas are familiar with the situation. Right across the land in Pakistan is a Kinnow farm where Ameeran (Sargun Mehta) works and live with her family. Kikar falls for Ameeran and slowly slowly even Ameeran falls for Kikar. What follows next is a tale of romance which is worth watching on the big screen.

Does Europe also have its own animistic heritage, like Pachamama in South America and Shinto in Japan? If so, which one? In the Misty Lands, i.e. Estonia, Latvia and Lithuania, a sacred fire is lit on the winter solstice to celebrate the return of the sun and ancient beliefs that have been forgotten in the rest of Europe for thousands of years. Sophie Planque and Jérémy Vaugeois decided to take a journey on bicycles to experience the Baltic winter and meet the people who keep their ancestral culture alive. A unique heritage that reinforces a deep relationship with nature.

From our window one can see a set of the film The Green Years, directed by Paulo Rocha in 1963. This was our starting point: guided by Rocha's gaze, we look back at the places of that film. The successive geological, urbanistic and social strata of Lisbon, besieged by the pandemic that interrupted the shooting, are drawn out in front of our camera, like a contemporary jazz impro from a score written in 1963.