Laura Garrido

Ariel Medeiros

A reclusive former star of British cinema reflects on the loss of her child and her past life in the spotlight.

An introverted guy randomly asks a girl out at the Delhi train station on a day date. They spent the entire day getting to know each other. One is keeping a secret and the other longs for love. Will destiny intervene?

Bustoni, a performing arts worker who lives with his mother who are dying, has a question that distract his life. What will happen to a woman after death?

The day after New Year's Eve in 2000. A man groggily awakes from an apparently wild New Year's Eve party to find both slumbering partners and unexpected activity.

An experimental, plotless look into the driving of a man named Jack.

In March 2020, an Argentine woman flees New York with her Peruvian husband for his family’s empty beach house outside of Lima, whereupon an unplanned pregnancy precipitates the destruction of her marriage.  In the present, she rips the moments of this narrative from their context, and reconstructs her story to reckon with her profound feeling of loneliness and the experience of time in which it has trapped her.

X-ray images were invented in 1895, the same year in which the Lumière brothers presented their respective invention in what today is considered to be the first cinema screening. Thus, both cinema and radiography fall within the scopic regime inaugurated by modernity.  The use of X-rays on two sculptures from the Bilbao Fine Arts Museum generates images that reveal certain elements of them that would otherwise be invisible to our eyes. These images, despite being generally created for technical or scientific purposes, seem to produce a certain form of 'photogénie': they lend the radiographed objects a new appearance that lies somewhere between the material and the ethereal, endowing them with a vaporous and spectral quality. It is not by chance that physics and phantasmagoria share the term 'spectrum' in their vocabulary.