A documentary that chronicles the twenty years of Pride parading in Iceland. Filmmaker Hrafnhildur Gunnarsdóttir has shot the parade from the beginning, with all its pride and power, beauty and sometimes ugliness. She mixes old material and new interviews with activists who reminisce about their participation in the parade, it’s impact on society in general, and what Pride means for the LGBTQ+ community.

The story of Luisa Kiara Marabolí Barrientos a transgender woman, and her journey from living 44 years in obscurity under an imposed identity to becoming a proud social leader and role model in her community.

Two men undertake a thought-provoking journey to parenthood. Not by adoption or surrogacy, but by Frankie, a trans man, carrying their baby. Made with support from NZ on Air.

How did the rise of LGBTQ visibility, political progress, and digital technologies in the 2000s come together to offer the abundance of complex queer and transgender representations we see today? Media scholar Katherine Sender shows how LGBTQ visibility and political progress have combined with new digital media technologies and television platforms to produce an increasingly complex range of queer and transgender representations.

Tracing the U.S. military's long history of discrimination against the gay community and one couple's personal journey for acceptance.

In Guanajuato, Mexico, sexual and gender diversity activists, who have been fighting for two decades for rights such as marriage equality and the recognition of trans identities, face their greatest obstacle in a conservative society and a political party that has ruled for over 30 years, keeping the LGBTIQ+ community invisible.

Packed with drama, high emotions and cliff-hanger moments, Australia Says Yes is the intimate and personal history of struggle and perseverance that propelled Australia to say Yes to marriage equality. The film shows how a group of determined individuals fought tirelessly against unjust laws that treated LGBTIQ people as second-class citizens, creating a movement that saw them go from criminals to legally equal over the course of five decades.

During the women's demonstration on March 8, 1972, Mariasilvia SPOLATO was there with a placard: Liberazione omosessuale. A month later, Simone de Beauvoir came to Rome to give an interview, and this placard illustrated her article. Mariasilvia could no longer teach, ended up homeless and spent her life on the trains.

Jon Sistiaga takes an immersive trip to Poland, a country divided into two zones: on the one hand, the urban and pro-European, and on the other, the rural and ultra-Catholic, still anchored in the traumas of the war and the post-war period. Is Poland a homophobic country or does it have a homophobic government? How does the European Union allow this situation?