Curran Morris

AJ Talbert

Alex Breindel

Andrew Clarke

Codey Disney

Many years ago, a group of friends started a journey. This documentary looks back at unique hobby that forged an unbreakable brotherhood.

Documentary explores the life stages of different people.

A remote and wild island on the west coast of Scotland is home to a small group of people that live in deep connection with the land, the sea and the weather. For different reasons, they left their city life to escape their inner demons and to live as eco-friendly and sustainable as possible.

Travis and Seamus’s new show has begun filming. While the guys are getting ready, Seamus’s conspiracy becomes a reality and the two have to find a way to fix it. So sit down, grab your beef jerky (and eat the "do not eat" packet) cause here is Finger Lickin the SHOW Episode 1!

Chema is an expat architect from Spain who lives in Amsterdam. He has built up a new life there as a wind-up toy maker. He creates small pieces of art from recycle items.

In 2008, a real-life mystery began to unfold when a real estate company (name withheld by request) discovered video footage shot in one of its vacant properties. The tapes were acquired by local documentary filmmakers Jarrod Rogan and Haman Movafagh, who began piecing together a series of bizarre instances recorded by a man living in the house. Apparently waiting for his wife and daughter to join him from out of state, the man began documenting strange activity that kept him from sleeping for days on end. The eerie recordings have become the subject of much controversy among paranormal investigators, and are finally being released to the general public. This first documentary from Son of Jason Films challenges audiences to explain what happened in the house on Briar Lane.

This documentary explores the enduring popularity of one of Britain's best loved crime dramas, Midsomer Murders, as it celebrates its 25th anniversary.

The Displaced View traces a personal search for identity and pride, within the unique and suppressed history of the Japanese in Canada. Through an examination of the emotional and cultural links between the women of one family, the processes of the construction of memory and the re-construction of history, are revealed. Utilizing an innovative combination of experimental, dramatic and documentary forms, the film emerges as a deeply moving and compassionate love letter. Just as the official history of the Japanese Canadians has been thrown into question, so does the film’s fictionalized narrative, question documentary as truth.