The world’s museums are closed. What are you missing?   Take a real-time walk through the Louvre towards the “greatest painting ever” and contemplate what it would be like to be there yourself.

Documentary filmmaker Renton Hinderer takes a look back at his long relationship with one of his closest friends to understand the paths we choose in life, and how friendship is eternal through it all.

Presents life in 18th century Spain as the painter Francisco de Goya showed it to us.

It's a condition known as "hypertrichosis" or "Ambras Syndrome," but in the 1500s it would transform one man into a national sensation and iconic fairy-tale character. His name: Petrus Gonsalvus, more commonly known today as the hairy hero of Beauty and the Beast.

How have the changing views on children been reflected in their representation in art? From Baby Jesus to the first photographic portraits, an exploration of six centuries of art history through the prism of childhood.

This documentary features a kinetic artist who creates vibrant mixed media works that push the boundary between 2D and 3D.

Florent Tillon takes an anthropological lens to Las Vegas, Nevada. What he finds is some curious new species of Americana.  (Dorothy Woodend, DOXA Documentary Film Festival)

Painter Zdzisław Beksiński, his wife Zofia and their son Tomasz, a well-known radio journalist and translator, were a typical and unconventional family, both at the same time. One of the father’s obsessions was filming himself and his family members. Using archival footage only, shot primarily by Zdzisław, as well many other materials, which have not been presented anywhere so far, the film tells a tragic story of the Beksińskis that has never ceased to fascinate Polish filmmakers.

Pole, who are you? This film collage that combines archival and contemporary materials, documentary and staged pictures, press reports, social announcements, sale offers and speech excerpts is an attempt to answer this question. Referring to the Polish tradition of a creative documentary in the style of Wojciech Wiszniewski, the film presents various manifestations of Polishness: patriotic and religious rituals, everyday traditions as well as characteristic landscapes or intimate memories from childhood.