The "requerimiento" was a declaration by the Spanish monarchy of Castile’s divine right to take possession of the New World’s territories and to subjugate, exploit and, if necessary, fight the native inhabitants. This film explores the aesthetics of a mythological time and its archetypical creatures and materialities. Following the trajectories of a serpent and the fragment of a meteorite, "Requerimiento" develops an interwoven narration questioning human and nonhuman alterities in different epochs and cultures.

Shot on 16mm and featuring a soundtrack by Toshiya Tsunoda, Luke Fowler's film pays tribute to the French master’s impressionistic approach to light and nature (notably his Mont Sainte-Victoire series) through his own resplendant glimpses of landscapes and people in Southern France.

When asked to make a documentary about her friend’s mother—a Parisian astrologer named Juliane—the filmmaker sets off for Montmartre with a Bolex to craft a portrait of an infectiously exuberant personality and the pre-war apartment she’s called home for 50 years.

Burford met Breer in February 1992 and filmed his actions. Breer manipulates some of his mutoscopes: he leafs through some cards of his film in the making, Sparkill Ave! A dome-shaped sculpture slowly moves across the space.

A short manifesto of collective resistance to police oppression in the wake of the historic 1977 raid on the Montreal gay bar Truxx.

The meeting point between two comunication media: A letter written in 1929 -hidden inside the adobe walls of an old country house - and the shooting of the coutryside along the highway that connects two Chilean cities un 2018.

Starting from frame by frame in-camera editing, the film translates a nursery garden from Chillán into a filmic landscape, with a rhythm and structure coming from a personal relationship with color, light and occurrences that took place near the end of the summer at the Olaxis garden. This is the first part of a work which takes reference from Violeta Parra's poetry, created from flowers, plants and certain places of the Ñuble area.

Inspired by a newspaper article about the plight of monarch butterflies, using found footage from four different sources, I edited, optically-printed, superimposed, scratched on, bleached and otherwise altered the film to highlight, lament and challenge the monarch butterflies’ dilemma. –Caryn Cline

Optically printed fragments of film I shot in the autumn months in Seattle. -JB This film was made in response to seeing some of Caryn Clines films. Caryn re introduced me to shooting my films outside. -JB