Tony Rayns

Li Cheuk-To

Ann Hui

Tsui Hark

Michael Hui Koon-Man

Examines the early 1980s Hong Kong filmmaking community. Tony Rayns interviews some of the new generation of filmmakers and figures from the wider film culture.

For the first 50 years of film history, the newsreel was a fixture in American movie theaters. From 1911 to 1967, these shorts proved an influential source of information – and misinformation – for generations of American moviegoers. Television news and public affairs programs became a great improvement over the scanty information offered by the newsreels. This documentary offers insight into a medium which has disappeared.

This is not a documentary about the making of Midnight Cowboy. It is about a humane and groundbreaking masterpiece and the flawed but gifted people who made it. It is about a troubled era of cultural ferment, social and political change, about broken dreams and strivers, then and now. It is about an era that made a movie and a movie that made an era.

Su has set up a restaurant without a permit. Unsurprisingly, the authorities send him away. Su then decides to go back home to the countryside, where his wife and children still live. He isn't exactly welcomed back with open arms.

Theodore "Dutch" Van Kirk navigated the first atomic bombing mission in Hiroshima, Japan, and later participated in the first Bikini Atoll atomic bomb tests.

Follows Long Island’s Mary Lamont Band on their groundbreaking 23,000-mile tour in six cities and provinces across mainland China in 2002.

October 1st, 1957. Dusk descends on Tiananmen Square, Peking. Fireworks crackle light across the night sky, above a city alive with National Day festivities and celebrations. Two intrepid New Zealand film-makers - Rudall and Ramai Te Miha Hayward - are there, documenting the life and times of communist China.  The distinction of being the first English speaking foreigners to film unfettered in communist China was significant. The invitation to visit China was facilitated through the New Zealand China Friendship Society. They filmed in Canton, Shanghai, Peking (Beijing) and Wuhan. It was a small window of opportunity for Westerners to gaze on a country that was largely a mystery to the outside world since 1949.  The unfortunate irony was that two of the documentaries; “Wonders of China”, and “Inside Red China”, were considered to be communist propaganda, and were not distributed outside of New Zealand.

I go to Movieland at least once a week, every week, for the last five years to sink some quarters into the games and the Movieland movie is an accumulation of the friends, lights, textures, and narratives that I have experienced in that time. I love Movieland!