Yuri Muraoka

Nonoho Suzuki

Hana Suzuki

In the year 2020, when the world was forced to ‘change’, I wanted to confirm what changed and what did not change in me. The white mask I wore became the screen projecting my past. My family is sometimes hurt, but support me as I suffer from schizophrenia. We live today while looking for the answer to ‘Who are we?’

During the last forty years, the photographer Sebastião Salgado has been travelling through the continents, in the footsteps of an ever-changing humanity. He has witnessed the major events of our recent history: international conflicts, starvations and exodus… He is now embarking on the discovery of pristine territories, of the wild fauna and flora, of grandiose landscapes: a huge photographic project which is a tribute to the planet's beauty. Salgado's life and work are revealed to us by his son, Juliano, who went with him during his last journeys, and by Wim Wenders, a photographer himself.

A shot-on-video look at three impoverished Black communities in rural Georgia in 1976 - America's bicentennial, interspersing photos with footage and voices of those in their communities.

Actors work with a director to find the rhythm of a scene.

Since 1979, Rose Chong Costumiers have been dealing in elaborate and vibrant maximalist attire for hire. In 40 years, it has established itself as an iconic and legendary Melbourne staple among the Inner-North's queer scene. But neither Rose Chong's nor fancy-dress are as simple as they first seem according to Dan, one of the long-time "Chongettes" who works there. When considered with care and attention, they reveal glittering ideas of play and fun and community. From a queer lens - or rather, a mirror - this unassuming costume shop is a place where one might begin to conceive truths about themselves and their identities. How to Dress Like Me is a 5-minute documentary that contends with the intersections of play, queerness, and clothes.

What are they? What do they seek? When all the lights go out, they will wander. And you will never see them.

At the Myrtle-Wyckoff intersection, transportation arteries and the community overlap and interact, connect and collide, react and respond. Where are people going? Where are they coming from? And, what lies underneath all of the activity?

An unhinged, diaristic examination of devastating friendship breakups.

Faced with an assignment to film something personal, Cem begins a quiet search for what that really means. A casual conversation with a close friend leads him to turn the camera toward the people who already shape his life. Through moments with his grandmother, spontaneous talks about family, and reflections on his dream of becoming a filmmaker, MozikMoro slowly transforms into a portrait of connection and self discovery. Between the ordinary and the intimate, Cem captures a world that is both deeply personal and universally human.