Lisa Kannakko

Engaging themes of love and betrayal, hope, belonging and place, Glad Youâ€™re Here documents my nineteen--year journey through building a family life, seeing it suffer the damage of mental illness, grief and separation, and then rebuilding with empathy. A story about an extreme moment of crisis has turned into a documentary that deals not just with the subjective but with the important issue of spousal abuse.

This film is an attempt to disclose if Raul Brandão has left any trace, in Nespereira, Gumarães.

Performance with live audio equalization.

Roaming through the traditional Christmas stands of live carp fish on the street of Prague.

This is the filmic portrait of Daniel Vicinos, one of the most characteristic figures of Argentina's film industry: inventor, technician, collector, ironwork lover, but above all, in love with cinema.

The biggest, most populated, and frantic city in South America. While Cariocas are like tropical birds, Paulistas are like frenetic ants. Distances are longer and they're always in a hurry. A busy journey through this beautiful Brazilian beast which cannot help but beating irregularly.

Film loops with overlapping chromatic density and textures achieved with photochemical development experiments.

Letraset typeset intervention and editing on the projection copy of the film Cuesta Abajo, by Louis J. Gasnier, 1934.

This is the portrait of Cesar, the heir to a tradition of neon lights that ruled in Buenos Aires' marquees and now resists obsolescence.