Camille Dixon

Bill Rogers

Tommy’s Train is a story about imagination, drive, and the power of a dream. Once existing as a tourist attraction in the city of Anacortes, Washington, Tommy Thompson’s Railway ran every summer from 1987 until 1999. The genuine steam locomotive and coaches were all hand built by Tommy in his garage workshop, and he maintained and operated the railway with his family.

Experimental short film on the excitement and rush of a day trip

Plotless and wordless, beautifully edited shots of young (often naked or semi-naked) people in various positions, illustrating different emotions, actions and situations, underlined by rock music.

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on.  Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

Sintren Cigarettes has been operating for 70 years with all its employees being elderly.

Three Afghan girls share what their ideal day may look like.

Rosita Hernandez, a nine-year-old Indio girl, tells about the everyday life of her family living in the the desert plain between the Andes and the Pacific Ocean, about 300 km south of Lima. Specific social and economic problems as well as ways of coping with them become visible.

In twelve short episodes, which are interwoven into the course of a day, the film depicts situations that arise from keeping and caring for two cats for a family with six children in a suburban home. In addition to aspects of animal care, the film also addresses social problems and conflicts that arise from dealing with the animals in this family.

The everyday life of a family in Tanzania is portrayed from the point of view of the eight-year-old son Twaha.