Mario Anthony Montero Durand

Keilan Durand Rodríguez

Yordenis Cobas Durand

Salet Montero Durand

A short film following Anthony, a young child from the small, rural town of San Antonio de los Baños, Cuba. We see him in different moments of his daily life as he interacts with different forms of environmental, familial, and social influences. While Anthony displays contradictory traits of creativity, destruction, rigidity, and tenderness as he interacts with his external and internal worlds, we see a story built from the the multidimensionality of Anthony's layered personality as a young man.

When a Mongolian nomadic family's newest camel colt is rejected by its mother, a musician is needed for a ritual to change her mind.

A silent day unfolds on the slope of a mountain… A child exists alongside his mother and father, yet each of them seems to inhabit a different world. With no dialogue, the film relies on visual storytelling. In certain close-up shots, color fades to black and white; symbolizing moments of inner solitude, personal conflict, and emotional disconnection. The unseen distances within the family are revealed not through words, but through images.

A woman narrates the thoughts of a world traveler, meditations on time and memory expressed in words and images from places as far-flung as Japan, Guinea-Bissau, Iceland, and San Francisco.

In the Land That Is Like You is a progress on the tracks of my lost past, with the contact of my mother, my grandmother and the man who I love, in a country which escapes from me and retains me, Lebanon.

What would your family reminiscences about dad sound like if he had been an early supporter of Hitler’s, a leader of the notorious SA and the Third Reich’s minister in charge of Slovakia, including its Final Solution? Executed as a war criminal in 1947, Hanns Ludin left behind a grieving widow and six young children, the youngest of whom became a filmmaker. It's a fascinating, maddening, sometimes even humorous look at what the director calls "a typical German story." (Film Forum)

A sitting man listens to his thoughts, but can't catch any of them.

Filmmaker Julie Buck explores her grandfather’s collection of Super 8 footage; the revelations behind the captured moments of joy reveal dark truths.