Melody Barnes

Christy Coleman

Michael Paul Williams

Julian Hayter

Caroline Janney

How the Monuments Came Down is a timely and searing look at the history of white supremacy and Black resistance in Richmond. The feature-length film-brought to life by history-makers, descendants, scholars, and activists-reveals how monuments to Confederate leaders stood for more than a century, and why they fell.

October 1st, 1957. Dusk descends on Tiananmen Square, Peking. Fireworks crackle light across the night sky, above a city alive with National Day festivities and celebrations. Two intrepid New Zealand film-makers - Rudall and Ramai Te Miha Hayward - are there, documenting the life and times of communist China.  The distinction of being the first English speaking foreigners to film unfettered in communist China was significant. The invitation to visit China was facilitated through the New Zealand China Friendship Society. They filmed in Canton, Shanghai, Peking (Beijing) and Wuhan. It was a small window of opportunity for Westerners to gaze on a country that was largely a mystery to the outside world since 1949.  The unfortunate irony was that two of the documentaries; “Wonders of China”, and “Inside Red China”, were considered to be communist propaganda, and were not distributed outside of New Zealand.

Robert E. Lee, born in Virginia in 1807, was deeply influenced by his Southern heritage and the legacy of his family, particularly his father, who served in the American Revolution. Raised by his mother, Lee learned values of self-control and integrity. He graduated second in his class from the United States Military Academy and had a distinguished military career, serving the Union before the Civil War. Despite his opposition to secession, he chose to lead the Confederate Army when Virginia seceded. Lee's military strategies were notable, achieving significant victories, yet he faced ultimate defeat at Gettysburg. After the war, he became president of Washington College, promoting peace and reconciliation while embodying principles of integrity and duty.

I go to Movieland at least once a week, every week, for the last five years to sink some quarters into the games and the Movieland movie is an accumulation of the friends, lights, textures, and narratives that I have experienced in that time. I love Movieland!

A filmmaker captures her wife’s journey of high-risk pregnancy, birth, and early motherhood in this short documentary. Consequently, she discovers her own fear and insecurity surrounding the adventures of parenthood — all while completing the adoption process for her non-biological son, as required by heteronormative North Carolina state law.