A personal and poignant account of the author's brother, who embodies "hopelessness and self-pity," combining a variety of techniques and deeper themes.

Gretchen unmoulds a jar of jelly in her room while her parents picnic in the garden. The jelly comes to life, the girl begins a frenzied dance with her new friend "Jelly".

During the Annecy festival, while the young festival goers flock to the screenings, a producer relaxes on the lake.

Deep-sea organisms living in such a specific environment have developed unusual forms and properties. This is an interpretation of the underwater world and an invitation to relax.

The emotion of people easily changes. It is not easy to define what emotion is. We just feel it. To feel emotion is like to observe nature because nature always changes by time, sun, and wind. When we observe nature, the nature tries to say what our emotion is because the nature leaves the trace of emotion.

In a town where the adults live on ground level and children refuse to come down from the treetops, a series of interviews sets out to discover - what is it exactly that the generations misunderstand about each other? This animated documentary highlights the absurdity of childhood, adult-ness, the internet, and generational gaps.

The bourgeoisie is having a celebration in a round room where eating, sipping, and dancing is followed by dancing, sipping and eating. This could go round and round forever.

The theatrical stage takes place in a foreign space and reveals a feast of different forms of memories.

Luiko Sasaki creates a literal road-map of EVERWHERE, SOMEWHERE, with love... a truck-driver seeking "Another Chance," a man struggling through loss and "Control Ruins," and a woman who appreciates "Sweet Nothings."