Natalia Alcantara Cabañas

Documentary which tells the story of how the biggest global crisis in living memory brought the 120 billion pound lucrative cruise industry to its knees.

The film depicts the complexities and conflicts that arise in workplace environments, particularly focusing on the dynamics between supervisors and employees in both public and private sectors. It illustrates various scenarios where disagreements occur, often leading to grievances that may involve union representation. Key themes include dress codes, assignments based on gender, seniority rights, and the struggle for fair treatment and representation in the workplace. The characters navigate these issues, highlighting the tension between individual rights and organizational rules.

In a time when the world needs greater cross-cultural understanding, WUHAN WUHAN is an invaluable depiction of a metropolis joining together to overcome a crisis.

A short documentary that tells the story of queer artist Heather Spooner and the adult pen pal program she created during the pandemic, featuring the poignant and humorous stories of connection and humanity that came from it.

After mutilating his fingers, a carpenter decides to go back to work to support his family and prove that he can still do it.

Filmed and edited entirely in isolation, Living in Fear is an educational and inspiring documentary directed by myself, Stephanie Castelete-Tyrrell, a disabled filmmaker as I capture the fears and struggles disabled people faced before the government implemented the lockdown on the 23rd March 2020. Thousands of people with disabilities were left in the dark and had to make the call weeks before to lockdown as it was inevitable that we would die if we caught the virus. Food was impossible to access because we couldn't go out or get delivery slots, and even if we did panic buyers made it impossible to get the items we desperately needed.  We were truly isolated, unable to have family and friends visit. Having carers coming in and out of the house was risky and many disabled people felt that having basic care was putting their lives at risk.

The COVID-19 exploded in China in early 2020. Thousands of people from the mainland rushed to Hong Kong that made the people panic. The supply of the face masks cannot meet the demand. Some non-governmental organizations distributed face masks to the elderly in early February that attracted lots of people to queue up.

How has the coronavirus epidemic transformed everyday life in Shanghai? The world seems to have gone black and white. New routines are replaced by often harrowing and bleak intertwining stories, public announcements or cries for help. The director observes these from the shelter of her home, but even this, as a result of isolation, no longer evokes a sense of safe haven.