Léa Roback

Through the eyes of a Quebec Jewish activist, Lea Roback, feminist, unionist, pacifist and communist, A VISION IN THE DARKNESS proposes a modernist vision of Quebec history, from the beginning of the twentieth century to the period knows as « La Grande Noirceur », the Great Darkness.

As a result of the Holocaust and later, AIDS, the male homosexual community has sustained bitter losses and, according to Praunheim, lesbian women have now placed themselves at the head of the so-called queer movement. The female protagonists in the film represent two different generations; they also incorporate the past and present status of homosexuals in society.

Le serment d’Hippocrate follows the struggle of four immigrant doctors trying to find their place in the Quebec healthcare system. This film puts faces to the lives, journeys, and struggles of these unsung heroes who, nevertheless, had also taken the august Hippocratic Oath in their distant countries.

From the lower St. Lawrence, a picture of whale hunting that looks more like a round-up, with a corral, whale-boys and all. In 1534, when he stopped at the island he named l'Île-aux-Coudres, Jacques Cartier saw how the Indians captured the little white beluga whales by setting a fence of saplings into off-shore mud. In the film, the islanders show that the old method still works, thanks to the trusting 'sea-pigs,' the same old tide, and a little magic.

This documentary film traces the struggle of Indian auto workers of the Maruti Suzuki factory in Manesar, near Delhi, in forming a union. Investigating the underbelly of class conflict and exposing a widespread system of injustice, the film focuses on the repression faced by the workers and their criminal prosecution.

Triggered by congressman Jair Bolsonaro’s homage to the torturer Carlos Alberto Brilhante Ustra, during president Dilma Rousseff’s impeachment hearing in 2016, Inês, a 70 year-old actress, starts a fragmented narrative of her own history, transforming the memories of her youth as an artist and guerrilla fighter during the military dictatorship into performances. Using as a starting point her participation in Teatro Oficina's 1967 production of the play "King of The Candle", by Oswald de Andrade, Inês creates a manifesto in defense of art's political strength, intertwined with memories of lost love and resistance.

This documentary profiles economist and writer Marilyn Waring. In extensive interviews, Waring details her feminist approach to finances and challenges commonly accepted truths about the global economy. The filmmakers detail Waring's early rise to political prominence and her successful protests against nuclear arms. Waring also speaks candidly about wartime economies, suggesting that government policies tend to marginalize the fiscal contributions of women.