Sara Klimoska

Anamaria Marinca

Alice Englert

Félix Maritaud

Carloto Cotta

In an isolated mountain village in 19th century Macedonia, a young feral witch accidentally kills a peasant. She assumes the peasant's shape to see what life is like in her skin, igniting a deep seated curiosity to experience life inside the bodies of others.

When two female best friends hosting an online horror-themed history show together decide to make an episode about the site of a 17th century witch hunt, they find themselves seemingly terrorized by evil supernatural forces.

After Lori suffers a stillbirth, her husband Frank obtains a job with a northern California toy company. Frank's new boss, the mysterious Mr. Cato, explains that Frank's position will involve magic. Cato, who seemingly holds enormous influence over the town, pursues the power of necromancy and believes that Lori holds the key that will help him resurrect his own dead son.

In 1661 Mexico, Baron Vitelius is executed for witchcraft. 300 years later, during a comet's return, he resurfaces as a brain-eating monster seeking revenge on the Inquisitors' descendants.

A husband murders his wife, and years later her ghost emerges from a witch's mirror to take her revenge.

In a backwoods cabin, a boy called Little Man lives with his dad (a trapper), his older sister Missy, and his younger sister Kid, who is feral, spends most of her time under the table, and can imitate the sound of any animal. Their mother is dead. One day, while dad's in town selling skins, Missy teases Kid and gets bitten. There's Hell to pay when dad gets home, and Kid runs off into the night to spend it with her animal friends. Little Man, who narrates much of the story as well as his reflections in a whisper, must sort out loss and emptiness.

When passengers on a train are attacked by a creature, they must band together in order to survive until morning.

The gypsy Azucena (Fiorenza Cossotto) takes revenge for her mother who was accused of putting a curse on one of the old Count di Luna's two sons: she decides to abduct the younger child and throw it in the flames. But when she is about to carry out this fatal act, the gypsy sacrifices her own child and keeps the old Count’s son, whom she names Manrico (IL TROVATORE, Plácido Domingo). Later, as adults, the troubadour Manrico and the Count di Luna’s elder son (Piero Cappucilli) do not know each other, but become rivals for the beautiful Leonora (Raina Kabaivanska). Manrico succeeds in winning the young woman’s heart, and she sacrifices herself for him, deceiving the Count’s son. Mad with jealousy, the latter orders the execution of the troubadour in front of his mother. Azucena reveals to him that Manrico was his brother.  This legendary performance of Giuseppe Verdi's most successful opera was recorded at the Vienna State Opera under the baton of Herbert von Karajan.

In a modern America where witches are real and witchcraft is illegal, a sheltered teenager must face her own demons and prejudices as she helps two young witches avoid law enforcement and cross the southern border to asylum in Mexico.