Robin Pecknold

Robin Pecknold brings light to the bleakest of winters with Fleet Foxes’ ‘A Very Lonely Solstice,’ a 13-track career spanning collection recorded in December 2020, at Brooklyn, NY’s St. Ann & the Holy Trinity Church.

I Believe is a dance show that transports us to a magical and reflective universe, where fairies, mystical beings, guard nature and dedicate themselves to protecting the balance of life on Earth. These beings symbolize the purity and strength of the environment in perfect communion with the forests, rivers and mountains, maintaining the beauty and health of the planet. However, this harmony is threatened by the growing greed of human beings, who, blinded by power and the desire for wealth, exploit natural resources.

Fresh off the release of Kanye's fourth #1 album, 808s & Heartbreak, VH1 and Mr. West collaborated for a special concert as part of the critically acclaimed Storytellers series. A collection of live performances from Kanye's arsenal of hits including songs from his ground breaking 808s & Heartbreak album.

A prodigy high school music group writes one last album together before they go their separate ways to college.

After a seven-year absence, Charlotte Andergast travels to Sweden to reunite with her daughter Eva. The pair have a troubled relationship: Charlotte sacrificed the responsibilities of motherhood for a career as a classical pianist. Over an emotional night, the pair reopen the wounds of the past. Charlotte gets another shock when she finds out that her mentally impaired daughter, Helena, is out of the asylum and living with Eva.

Arrogant, self-centered movie director Guido Contini finds himself struggling to find meaning, purpose, and a script for his latest film endeavor. With only a week left before shooting begins, he desperately searches for answers and inspiration from his wife, his mistress, his muse, and his mother.

The music producer Molécule stayed in a village in Greeland, where he recorded the sounds of the Artic to compose music. The viewer follows Molécule in his adventure in the extreme North, in a sensorial and musical immersion.

Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass.

When reporter Jean Craddock interviews Bad Blake—an alcoholic, seen-better-days country music legend—they connect, and the hard-living crooner sees a possible saving grace in a life with Jean and her young son.