Steve Glew

Kathy Glew

Nate Larson

Steve Glew, a small-town Michigan farmer, boards a plane for Eastern Europe soon after the fall of the Berlin Wall. His mission is to locate a secret factory that holds the key to the most desired and valuable pez dispensers. If he succeeds, he will pull his family out of poverty and finally find a purpose in his mundane life.

Megacities is a documentary about the slums of five different metropolitan cities.

The story of Luisa Kiara Marabolí Barrientos a transgender woman, and her journey from living 44 years in obscurity under an imposed identity to becoming a proud social leader and role model in her community.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years.  Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

The concept of machine-made knit was known as early as the 1850s, but it was only during the 1920s that the quality of the material had improved. When the plant known as "Atlas" was introduced in 1931, the shop windows drew a lot of attention, and Aho &amp; Soldan was ordered to make a promotional film. In this well-paced film, we see the jersey production step by step.

The internet has been flooded with AI-generated rubbish. Automated bots are producing a flood of AI-generated content that threatens to push everything else out of our social media feeds. Will this ‘slop’ lead to the death of the internet? Or perhaps is the internet a dead space already?

A collector reveals the story behind his lifelong obsession.