Dawood Hussein

Hasan Al Ballam

Elham Al Fadalah

Bader Al-Tayyar

Shaban Abbas

A satirical Kuwaiti comedy play, focusing on young people, their needs and the problems they are going through in their daily lives, and sometimes their rebellion against society to pay attention to their problems and seek a solution to them.

The Franconian Minister of State in the government, Richard Wilhelm, has perfectly arranged a tête-à-tête with an opposition secretary: The husband thinks his wife is with her aunt in Franconian Switzerland, Mrs. Minister of State thinks her husband is at a debate in the state parliament, and the MPs will habitually "sleep through" the minister's absence. If only it weren't for the body that suddenly appears in the hotel room: a man in a coat, scarf and suit, lifeless, obviously beaten to death by the fallen window. One thing is clear: the corpse with resurrection tendencies has to go, Richard can't afford a scandal.

In a high school plagued by five unruly students who have failed to graduate for over a decade, the principal hires a new teacher in a last-ditch effort to restore order. Effat, the newly appointed instructor, takes on the challenge with hopes of reforming the troublemakers into model students.

Welcome to the stage play "Nintama Rantaro" ~Bright, Fun, Joyful!~ This is a new Nintama stage production. There's no spectacle like in "Nintama Rantaro the Musical."  The play depicts the everyday lives of the Nintama. Laughing, fighting...  Behind the constant major incidents that occur, there lies a heartwarming everyday life like this.  Even their arch enemies, the Dokutake Ninja, aren't fighting all the time.  With a relaxed attitude, the Nintama enjoy school life at Ninjutsu Academy, a ninja school that is, in a sense, a paradise in the midst of the Sengoku period.  A "bright, fun, and happy!" world, just as the title suggests, unfolds.  If you can feel warm and fuzzy as you peek into their slightly laid-back daily lives,  both the Nintama and the Dokutake Ninja will be just a little happy.

A Kuwaiti play talks about the life of Kuwaitis in the years of poverty experienced by Kuwaitis before the economic boom in the seventies, and discusses work in a comic framework of economic and social problems, including poverty, education, and health, by dealing with the stories of work heroes.

The fourteenth Cimrman play takes us to the heart of a continent almost untouched by civilization. Czech travelers encounter a strange tribe of cannibals and almost end up on their menu. The members of this tribe are unusual in two ways: their appearance and their extraordinary docility. These characteristics enabled Cimrman to solve linguistic and staging problems with an elegance that other world playwrights can only envy. If, say, G. B. Shaw had tackled such a theme, the audience would have spent 5 to 7 hours in the auditorium. Cimrman managed to do it in just one hour (not counting the introductory scientific seminar). For the first time in the history of the Jára Cimrman Theater, a live animal appears on stage.

Théophile, a successful writer, finally finds inspiration again. His new book shocks people, because many of his close friends recognize themselves in the characters.

The Servant of Two Masters is a mature example of commedia dell'arte, featuring traditional characters and situations. It takes place within a close-knit family, where the main event is an engagement complicated by the servant Truffaldino, who is both cunning and foolish. He sets in motion a comedy of mistaken identities and misunderstandings, driven by his eternal hunger, through unexpected twists and turns to a happy ending. He is surrounded by traditional characters – commedia dell'arte masks – the worried father Pantalone, the wise doctor, and their children in love, an adventurous couple of lovers, the innkeeper Brighella, and the maid Smeraldina. Truffaldina is played by Miroslav Donutil, who continues the tradition of improvisation to the great delight of many audience members.