His buildings are garish, colorful and completely overloaded. Columns and glittering chandeliers everywhere, and way too much of everything. The Bolivian civil engineer and architect Freddy Mamani Silvestre (*1971) builds houses in El Alto for a nouveau riche upper class of the Aymara, the largest indigenous ethnic group in Bolivia.

The Alhambra is a unique site in the world: a palatial city built between the 13th and 15th centuries by the last of the Muslim kingdoms of Spain. It is the ultimate demonstration of the talents of a people condemned by the Reconquista.

Making a documentary on Le Corbusier is not easy, because he is undoubtedly the architect most familiar to the general public but also the most unknown. If most people know his great achievements, such as the Cité radieuse of Marseille, the pavilions of the Cité universitaire de Paris or the Tourettes convent, many are unaware of his works in Moscow, Rio de Janeiro or Chandigarh. Roy Oppenheim pays a vibrant tribute to Corbusier, dismissing the criticisms and darker facets of the character. It presents the career of this pioneering architect, as well as his thinking, the essential principle of which was aimed at the development of human beings and the balance of society. Light, space and greenery are integrated into his large futuristic cities, because according to him the eyes of the inhabitants should be drawn into the distance and not into their neighbor's bathroom.

2024 was the worst year on record for the world’s primary tropical forests, and Bolivia lost 1.5 million hectares — more than any country except Brazil. Fires set to clear land for agriculture spiralled out of control, turning swathes of the country into an inferno. Against this backdrop, the film follows investigators from The Gecko Project as they journey through the Chiquitano dry forest in Bolivia’s eastern lowlands — the region most deeply affected by fires and deforestation.

This is a short documentary about the old City of Buenos Aires and the new one. It’s an observational piece where the old photos of the same places invite us to live in the old Buenos Aires for a few minutes.

The camera goes back through the alleys and alleys of the community, leading the viewer to compare, with simultaneous shots of 76 and 96, the little or almost nothing that was accomplished, the neglect of the State, the abandonment over the 20 years. Finishing with a virtual image of the colored facades, as part of the proposed urbanization.

A Berlin street corner is slowly changing: an aging supermarket turns into a construction site and finally a new building. People restock shelves, demolish walls, take breaks and count money. Those who work here participate in the making and unmaking of the place. How does it shape the conditions of their labor? Between supermarket aisles, construction scaffolding and exposed concrete, different versions begin to overlap. Repetitions appear like echoes between worlds, both playful and eerie.

In 1919 an art school opened in Germany that would change the world forever. It was called the Bauhaus. A century later, its radical thinking still shapes our lives today.  Bauhaus 100 is the story of Walter Gropius, architect and founder of the Bauhaus, and the teachers and students he gathered to form this influential school. Traumatised by his experiences during the Great War, and determined that technology should never again be used for destruction, Gropius decided to reinvent the way art and design were taught. At the Bauhaus, all the disciplines would come together to create the buildings of the future, and define a new way of living in the modern world.