Amr Waked

Abdelhamid Krim

Farah Hamed

Sofian El Benaissati

Adil Koukouh

Kingdom of Granada, al-Andalus, 14th century. After recognizing that his land, always under siege, is hopelessly doomed to be conquered, Sultan Yusuf I undertakes the construction of a magnificent fortress with the purpose of turning it into the landmark of his civilization and his history, a glorious monument that will survive the oblivion of the coming centuries: the Alhambra.

A photographer explores the seldom noticed architecture in his home town.

Simon Schama explains the style, theme and concept of Rembrandt's late masterpieces.

The Alhambra is a unique site in the world: a palatial city built between the 13th and 15th centuries by the last of the Muslim kingdoms of Spain. It is the ultimate demonstration of the talents of a people condemned by the Reconquista.

Making a documentary on Le Corbusier is not easy, because he is undoubtedly the architect most familiar to the general public but also the most unknown. If most people know his great achievements, such as the Cité radieuse of Marseille, the pavilions of the Cité universitaire de Paris or the Tourettes convent, many are unaware of his works in Moscow, Rio de Janeiro or Chandigarh. Roy Oppenheim pays a vibrant tribute to Corbusier, dismissing the criticisms and darker facets of the character. It presents the career of this pioneering architect, as well as his thinking, the essential principle of which was aimed at the development of human beings and the balance of society. Light, space and greenery are integrated into his large futuristic cities, because according to him the eyes of the inhabitants should be drawn into the distance and not into their neighbor's bathroom.

To be in Venice and see the architecture of New York, to perceive in a painting by Tintoretto the birth of animated images, to look at the burlesque Cretinetti as the ancestor of montage - so many shifts, displacements, and striking telescopings that Philippe-Alain Michaud proposes in this film dedicated to him. To follow this art historian, curator of the cinema collections at the Centre Pompidou, is to go from the oriental carpet to the film, or from the first fireworks to the cinema. And everywhere the animation of the images - projections of Antony McCall, or of Paul Sharits, Column without end of Brancusi, Pasolini's Accatone - everything moves!  Under the tutelage of Aby Warburg, the great art historian of the early twentieth century, precursor of iconology and image comparison, to whom Philippe-Alain Michaud was the first in France to devote an important essay, eleven images are placed on the table to describe the singular journey of this art historian.

In 1947 Marcel Breuer, a fundamental figure of the Bauhaus, visited Argentina and designed the Parador Ariston, in Mar del Plata. As time goes by, the Ariston will be forgotten. The context in which it was created leads us to discover how Mar del Plata is transformed into the dream city for vacations by Argentine families and the importance of architectural heritage.

How to combine modernity and fundamentalist Islam. "Saudi Solutions" is a unique and revealing documentary about the lifestyles and attitudes of ambitious career womenin conservative Saudi Arabia - the only country in the Arabworld where women are obliged to cover themselves inabayas and aren't allowed to drive cars. Because of the strong influence of fundamentalist Islam on society, filmingis severely restricted in Saudi Arabia. With unique access to the Kingdom, Backlight had the opportunity to film the daily routines of Saudi working women. This documentaryfeatures a top gyneacologist, a TV news anchor woman, a photographer, and a university professor. It also introducesthe wealthy Prince Al-Waleed, who passionately promotes the acceptance of women into the workforce. He kindly invitesBacklight to his luxury desert camp, but there are no women to be found - only thousands of men.