The film unfolds an atmospheric symphony of violence over Beirut, revealing the haunting fusion of incessant Israeli military flights and the hum of generators during blackouts. This 45-minute video essay plunges viewers into a chilling chronicle of daily life transformed by the weaponization of the air, where the terror of repeated incursions becomes a disconcertingly banal backdrop.

Documentary filmmaker Renton Hinderer takes a look back at his long relationship with one of his closest friends to understand the paths we choose in life, and how friendship is eternal through it all.

One of the rooms inside the legendary Barba Azul Cabaret has become a shelter for the girls working there: the women's bathroom. Every night La Mami, who's in charge of the bathrooms, offers them the warmth and the advice they need to take on the challenge they face in the dance hall.

Florent Tillon takes an anthropological lens to Las Vegas, Nevada. What he finds is some curious new species of Americana.  (Dorothy Woodend, DOXA Documentary Film Festival)

Through personal stories, the documentary approaches the issues of gender identity and legal gender recognition in Greece. The three main characters explain how society has treated them, by narrating their experiences from the past and the present.

Pole, who are you? This film collage that combines archival and contemporary materials, documentary and staged pictures, press reports, social announcements, sale offers and speech excerpts is an attempt to answer this question. Referring to the Polish tradition of a creative documentary in the style of Wojciech Wiszniewski, the film presents various manifestations of Polishness: patriotic and religious rituals, everyday traditions as well as characteristic landscapes or intimate memories from childhood.

Through testimonies and images, the crude reality of human rights in Argentina in democracy is portrayed  and the role of the hegemonic means of communication to make causes and protests invisible ...

Depicting the biography of a corrupt banker poses a cinematic dilemma. How can the intentions of an individual systematic contexts and historical eventualities be brought into harmony? Thomas Furhapters nearly one hour film Michael Berger Eine Hysterie turns this problem outward by not covering up the moment of speculation. The subject of the film, Austrian investment banker Michael Berger, who became a dollar millionaire through a risky hedge fund, remains a chimera an absent individual who also cannot be captured through his crime.

Within photographs that are not their own, a body discovers it has always been part of another.