Haruki Murakami

Revealing the flaws of Japanese society, the 1995 sarin gas attack in the Tokyo subway prompted Murakami to return to his homeland, whose conformism he rejected, to examine it closely. This led to the creation of two works: Underground and 1Q84.

A Guatemalan woman, Ana Lucía Cuevas, returns home from exile to face the brutal history of Guatemala's armed conflict. In 1984, her brother Carlos was kidnapped by the state as one of thousands who were abducted and disappeared. Recounting the stories of brutal genocide, terror, state repression and violence, this film documents the memories of those victimised by the Guatemalan state.

A portrait of the brilliant American writer Truman Capote (1924-84) and the New York high society of his time.

Punta del Este was built upon a small, treasurable port town still alive in the memories of former residents and visitors. However, talk of progress has arised in present times. A kind of progress involving physical, historical, spiritual destruction.  Bajo la Arena poses a crossroads between the passage of time and its ever-present traces in the landscape and in people's affections.

Siblings Aru, age 3, and Kino, age 1, have 3 parents: father Fumino, who is transgender; mother Honoyo, Fumino's partner who gave birth to the children; and father Gon, a close gay friend who donated his sperm. The 3 are now raising their children together, struggling repeatedly to find their own way of being a family. This program covers their first 3 years of parenting. And it asks an important question: What does it take to be a family?

About 4 000 years ago, Assyrian merchants established a commercial settlement in the ancient city of Kaneš, within Central Anatolia. They came from Aššur, north of Mesopotamia. We have come to understand their history through their writings on clay tablets that have stood the test of time: more than 22 500 cuneiform tablets have been unearthed from the archaeological site of Kültepe. How did these Mesopotamian clay tablets arrived in Anatolia and what do they tell us? The voice of Tarām-Kūbi, an Assyrian woman who corresponded with her brother and her husband in Kaneš, takes us back in time.

In this tape, Ko Nakajima and Video Earth Tokyo interview a homeless man. The subject is initially angry and frustrated, but gradually opens up and shares stories about his life. Under A Bridge was later broadcast on cable television.

No profession, no say, no freedom of expression. Life as a prince consort is not exactly pleasure taxing. No constitution ascribes any function to the husband of a queen. Nowhere does it say what he must or must not do. A life in the shadow of the crown. Can that go well?