Joséphine Bacon

Aïcha Bastien N’Diaye

Catherine Chantal-Boivin

Catherine Dagenais-Savard

Emilie Monnet

Featuring indigenous women of various generations, Pidikwe integrates traditional and contemporary dance in an audiovisual whirlwind that straddles the border between film and performance, somewhere between the past and the future.

A chance meeting of an art activist and a pompous Sunday painter at a public statue of Winston Churchill turns into a public event of insults in this political satire.

With her dream of pursuing a professional dance career shattered, Nizzy, an upscale British Pakistani, must now fight the odds to keep it alive in a society she never wanted to be a part of.

As an ode to her grandfather, choreographer Daria Titova returns to the rural land he cherished in Sokur, Russia. Through movement and evocative visual language, she explores memory, family heritage, and a sense of belonging — inviting the audience to reconnect with their own roots.

I Believe is a dance show that transports us to a magical and reflective universe, where fairies, mystical beings, guard nature and dedicate themselves to protecting the balance of life on Earth. These beings symbolize the purity and strength of the environment in perfect communion with the forests, rivers and mountains, maintaining the beauty and health of the planet. However, this harmony is threatened by the growing greed of human beings, who, blinded by power and the desire for wealth, exploit natural resources.

A love story on the first glance, and a self-love story on the second. It's for everyone who has ever felt trapped in their own body. Without words, but with images, dance, and music, we explore the theme of gender identity and internalised transphobia.

Showman Jerry Travers is working for producer Horace Hardwick in London. Jerry demonstrates his new dance steps late one night in Horace's hotel room, much to the annoyance of sleeping Dale Tremont below. She goes upstairs to complain and the two are immediately attracted to each other. Complications arise when Dale mistakes Jerry for Horace.

A tale about the search for new sensorial experiences and territories. It’s a teaching and learning experience through body exploration and manipulation: two strangers dance with their passion, desire, gestures and contact.