Egypt, nicknamed "the mother of the world" by its people, is unrecognizable. Gigantic construction sites have sprung up in the desert at an exponential rate, including roads, bridges, and megaprojects on the Mediterranean coast. This new Egypt is an illusion: in 10 years, the population has sunk into unprecedented poverty. The regime shows no mercy to the poor. Abdel Fattah el-Sisi, the new pharaoh, and his army have set up a pyramid-shaped financial system, built on subsidies from major international institutions—including the European Union—and foreign investment. The most populous nation in the Arab world finds itself on the brink of collapse.

Artificial Intelligence (AI) is possibly the most powerful technology of our time. It has the potential to solve humanity’s biggest challenges yet some fear AI will be our downfall. iHUMAN follows pioneers at the frontline of the race to develop the ever more sophisticated AI to find the questions we need to ask at this crucial point in history.

On the border of Surinam and French Guyana, indigenous Wayana territory is overrun by intruders. Illegal gold miners poison the river, missionaries repress indigenous identity, and even doctors with the best intentions leave marks that are often silently violent. The Wayana call these intruders Parasisi.

In the ‘poor crescent’ around Brussels one child in three lives on the poverty line. But they can find refuge with BX Brussels of Vincent Kompany – a sports and social project. Stranger follows recent immigrant Senegalese football coach Moussa as he struggles to give them hope in their sport … and in their life.

The Big One is an investigative documentary from director Michael Moore who goes around the country asking why big American corporations produce their product abroad where labor is cheaper while so many Americans are unemployed, losing their jobs, and would happily be hired by such companies as Nike.

Peter Watkins' global look at the impact of military use of nuclear technology and people's perception of it, as well as a meditation on the inherent bias of the media, and documentaries themselves.

Retrospective documentary on the making of the low-budget horror film Prison (1987)