During the last argentine military dictatorship, the Army developed a systematic plan for the abduction of children, with maternity wards inside the clandestine detention centers. This film proposes itself as a trip to the truth "to bring to light the places where lots of babies saw the light for the first time"; Three restored children show the part for the whole :how a genocide was orchestrated,a scheme which planned the deprivation of identity of babies born in captivity, children of illegally kidnapped and detained women.

On the border of Surinam and French Guyana, indigenous Wayana territory is overrun by intruders. Illegal gold miners poison the river, missionaries repress indigenous identity, and even doctors with the best intentions leave marks that are often silently violent. The Wayana call these intruders Parasisi.

The most crude and atrocious institutional violence of the Spanish State hides behind a true dark figure, an abyss into which this documentary peers through 30 firsthand accounts.

Although experiencing a lifelong battle with pain and trauma, Jerod Draper lived an average, normal life in Southern Indiana. During high school, Jerod started to get off track after losing his best friend at the age of 14, and his first love at 15. To cope with the sudden loss at such a young age, Jerod started experimenting with drugs. After high school and through his younger-adult years, Jerod's substance abuse amplified. Throughout his 20s and 30s, Jerod continued to fight for sobriety while marrying and having a daughter. Following the divorce and not being able to see his daughter due to substance abuse, Jerod made a vow to stay clean. On October 4th, 2018 - Jerod was well over a year sober, yet fighting a familiar challenge, the severe depression and anxiety induced by weaning from drugs. During that evening, Jerod endures a fatal night of torture after being arrested for a routine traffic stop.

Triggered by congressman Jair Bolsonaro’s homage to the torturer Carlos Alberto Brilhante Ustra, during president Dilma Rousseff’s impeachment hearing in 2016, Inês, a 70 year-old actress, starts a fragmented narrative of her own history, transforming the memories of her youth as an artist and guerrilla fighter during the military dictatorship into performances. Using as a starting point her participation in Teatro Oficina's 1967 production of the play "King of The Candle", by Oswald de Andrade, Inês creates a manifesto in defense of art's political strength, intertwined with memories of lost love and resistance.

A young married woman collects the sweet memories of her romance. On closer inspection, she leaves bits of herself behind.

Jesus 'Chuy' Aceves and a dozen living members of his extended family suffer from the very rare condition of congenital hypertrichosis, meaning they were born with excessive hair on their faces and bodies. Due to their appearance, they suffer from discrimination in all areas of their lives: the children are made fun of at school and abandoned by their 'non-hairy' parents, and the adults cannot find work unless they choose to exhibit themselves as freaks in circuses. This moving and visually arresting documentary is a portrait of Chuy and his family members. It examines their day-to-day lives and their struggle to find love, acceptance and employment.

Directed by the Archbishop of Concepción, Monsignor Fernando Chomali, the documentary ‘Miércoles 15.30, memorias de una ausencia’ addresses the stories of loss, pain, and the search for justice of the Association of Relatives of Disappeared Detainees of Concepción.  The Association, created under the auspices of the Archbishopric of Concepción and the Human Rights Pastoral during the dictatorship, has been working and meeting for more than 40 years to find their relatives.