Leïla Slimani

Tahar Ben Jelloun

Nicolas Sarkozy

Bernard Bajolet

François Hollande

Meet Duewand Collier Jr.-Male, 68 years old, American Citizen, a child conceived in the backdrop of the Philippines-American Mutual Defense Treaty, born and raised with Catholic guilt. He has made peace with his past and now tells his story-a story of love.

Most of us think of death as something clear-cut, and that medical science has it neatly figured out. This feature documentary explodes such assumptions through its exploration of a phenomenon that blurs life and death to an unprecedented degree.  In what Tibetan Buddhists call tukdam, advanced meditators die in a consciously controlled manner. Though dead according to our biomedical standards, they often stay sitting upright in meditation; remarkably, their bodies remain fresh and lifelike, without signs of decay for days, sometimes weeks after clinical death.  Following ground-breaking scientific research into tukdam and taking us into intimate death stories of Tibetan meditators, the film juxtaposes scientific and Tibetan perspectives as it tries to unravel the mystery of tukdam.

David Grubin's probing and perceptive biography reassesses the remarkable and tragic life of Bobby Kennedy, whose early life was spent in the shadow of his elder brother John. After JFK's assassination, he discovered his own identity in the forefront of American politics before his career was also tragically curtailed by an assassin's bullet.

Documentary in which President Musharraf explores the different worlds and influences on political life in Pakistan at a dinner in his official residence, the Army House. Labourers and intellectuals, journalists and industrialists add to the debate, as the role that a military leader can play in guiding a state towards modern democracy is questioned. (Storyville)

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on.  Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.