Peter Lohmeyer

Karoline Eichhorn

Peter Donath

Ann-Kathrin Kramer

Uwe Kockisch

The movie tells a true story in the life of well-known German actor Manfred Krug. Living in the German Democratic Republic he is forced to leave the country after protesting against the expatriation of singer/songwriter Wolf Biermann in 1976.

A conference is to be held once again to discuss the construction of a new dam, which Professor Paul Satie rejects. During a train journey, he spontaneously leaves the train. Here in Wolfsgrün, from 1948 to 1950, he helped build the old, now far too small dam as a youth brigadier. He and the others who helped build it have erected a monument to this. A monument with his name on it. Is that perhaps why he is against the new dam?

Scenes from an East German marriage. A young couple, Sonya and Jens, are very much in love; they get married and have a child. When Sonya wants to go back to work after her maternity leave, they clash for the first time; Jens insists that she remain a full-time wife and mother. Until Death Do Us Part turns an actual police report into a gripping drama, as the director explores the depths of his characters' emotions, driving the conflict to a catastrophic climax.

A high-rise building in the center of Berlin in the GDR on July 11, 1982. The final match of the soccer World Cup is being broadcast on television. Five episodes revolve around this event: Soccer fanatic Kneutzsch is torn between the exciting match and the rather irritated woman by the unexpected visit of a lady to whom he has written a marriage announcement ... Dr. Kobermann - on painkillers - has mistaken the bathroom door for the corridor door and locked herself out. Her husband is sitting in front of the TV with headphones on and doesn't hear her ringing, so she seeks refuge in her nightgown with a neighbor, a flautist. After his ex-love Carmen leaves him and wants to return home, the exiled Andrés follows the game - in the knowledge that his father, thousands of kilometers away, is also watching...

Ete and Ali are discharged from the army. Since Ete knows that his wife is having an affair, he doesn't want to go home. Ali tries to persuade his friend to stand up for himself and to kick the other man out. But since Ete obviously lacks courage, Ali himself goes into action and gets rid of the rival lover. At first, Mary and Ete seem to reconcile, but repairing their marriage won't work.

The school authorities want to read success stories in director Joachim Faber's reports. But they cannot simply be produced on an assembly line. Pupils, for example, use the wrong tone. The matter draws circles until the superiors finally talk about refusal to work. Director Faber is caught between the efforts to resolve the conflict with pedagogical means and the pressure from above.

In August of 1914, amidst the public ecstasy surrounding the impending war, Hans Gastl, the young son of a Munich bürger, makes a decision: he will not take part in this war. This resolution signifies a turning point in his life; a farewell to his class and his family.

18-year old Georg and 13-year old Barbara have been playing together as children. Play becomes love later, which leads to a catastrophe , as their parents are hostile leading to file a report to the court, as Barbara is still under age.