John "Stabb" Schroeder

Tom Lyle

Washington, D.C.'s Government Issue perform live in this two-concert DVD. Filmed during a 1985 tour of California, both shows highlight songs from the albums "Joy Ride" and "The Fun Just Never Ends." Lead singer John Stabb belts out tunes including "Puppet on a String," "4-Wall Hermit," "World Caved In," "Hear the Scream," "Blending In" and "Mad at Myself," igniting audiences at both venues into full-blown Punk Rock frenzy.

Matt, a young glaciologist, soars across the vast, silent, icebound immensities of the South Pole as he recalls his love affair with Lisa. They meet at a mobbed rock concert in a vast music hall - London's Brixton Academy. They are in bed at night's end. Together, over a period of several months, they pursue a mutual sexual passion whose inevitable stages unfold in counterpoint to nine live-concert songs.

Olivia Rodrigo performed at a surprise show at the Ace Theatre in Downtown Los Angeles on October 9th, 2023. For this intimate, stripped down performance, she played most of the songs from her about to be released album, "GUTS".

In the pinnacle of their Stack Is The New Black national tour, Short Stack play the Sydney Opera House in a sold out mega-show.

1982 found Mink DeVille in the middle of the transition from their CBGB's New York punk origins to a more subtle, rootsier sound blending soul,  R &amp; B, Cajun and other influences. Led by Willy DeVille, whose unique  style and inimitable gravelly voice always made them stand out from the crowd, Mink DeVille released their first album in 1977 and immediately had a huge hit with the track Spanish Stroll. By the time of this appearance at Montreux in 1982 they were touring in support of the fourth album Coup De Grace and the show features tracks from across their career to that point as well as a couple of unreleased gems including their cover of the Ben E. King classic Stand By Me.

A detailed chronicle of the famous 1969 tour of the United States by the British rock band The Rolling Stones, which culminated with the disastrous and tragic concert held on December 6 at the Altamont Speedway Free Festival, an event of historical significance, as it marked the end of an era: the generation of peace and love suddenly became the generation of disillusionment.

A celebration of The Cure. Robert Smith's unique songwriting talents meant that The Cure's long list of singles were always destined to break out of tortured students bedrooms and be embraced by a far wider audience.  This archive collection of The Cure's performances on the BBC goes from the early days with A Forest through to hits like Lovecats, Friday I'm In Love, Close To Me and Boys Don't Cry, demonstrating why, in Britain and overseas, they enjoyed – or pretended not to enjoy – such huge success.

A band is promised fame if they can play their songs for a set amount of time without stopping, but they soon discover that quitting has fatal consequences.