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Kiều Thanh

Minh Thuận

Bằng Lăng

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Gai Nhay ("Bar Girls") is the story of how the other half lives, with a twist. Southeast Asia being known for the multitude of bar girls ready to be "borrowed" for a (usually quite cheap) price, the life these girls live--and the motivations and tribulations that lead them to it--are usually hidden to their oblivious clientéle.

A woman, Tome, is born to a lower class family in Japan in 1918. The title refers to an insect, repeating its mistakes, as in an infinite circle. Imamura, with this metaphor, introduces the life of Tome, who keeps trying to change her poor life.

Obsessed with finding her old boyfriend, Gumer, a 25-year-old girl, is released from jail in Barcelona, one of Europe's most sought-after port cities for drug trafficking and prostitution. Charo, her best friend, tries to help her, although she is not free, since depends on her pimp "Toni". But Gumer will persuade Charo to abandon Toni and form, along with other friends, a band to start businesses on their own.

A small-time delinquent young man and a book saleswoman at home delivery, who occasionally engage in prostitution as a derivative of her work, try a way of coexistence on the basis of mutual freedom schemes.

Follows five sex workers employed at a Japanese brothel while the nation debates the passage of an anti-prostitution law.

During the Edo Period, a noblewoman's banishment for her love affair with a lowly page signals the beginning of her inexorable fall.

On the run after dispatching her rapist, homemaker Ellen flees to the Big City, where further misfortunes befall her. When she finally finds stability, she discovers that her landlady's son is a detective, threatening her newfound identity and peace of mind.

Old sailor Chris Christofferson eagerly awaits the arrival of his grown daughter Anna, whom he sent at five years old to live with relatives in Minnesota. He has not seen her since, but believes her to be a decent and respectably employed young woman. When Anna arrives, however, it is clear that she has lived a hard life in the dregs of society, and that much of spirit has been extinguished. She falls in love with a young sailor rescued at sea by her father, but dreads to reveal to him the truth of her past. Both father and young man are deluded about her background, yet Anna cannot quite bring herself to allow them to remain deluded.

The current trend to render prostitution a profession "as any other" is belied by women who were themselves prostitutes. With clarity and courage, the women in this film reveal the hidden face of that so-called "sex work". They are 22, 34 or 48 years old; they live in Montreal, Quebec and Ottawa - They have recently given up prostitution, or are trying to escape it. These women are leading the bitter fight to turn their lives around and it is a long and lonely struggle fraught with difficulties. Shot in a Cinéma Vérité style, The Fallacy (L'imposture) takes us to the heart of their realities.