The story of unemployment in New Zealand and In A Land of Plenty is an exploration of just that; it takes as its starting point the consensus from The Depression onwards that Godzone economic policy should focus on achieving full employment, and explores how this was radically shifted by the 1984 Labour government. Director Alister Barry's perspective is clear, as he trains a humanist lens on ‘Rogernomics' to argue for the policy's negative effects on society, as a new poverty-stricken underclass developed.

Looking back at the history of the struggle for true equality, we follow the daughters and sons of immigrant workers who have been nominated as candidates representing "diversity" in various election campaigns since the 2007 presidential election. On the ground, through meetings, debates, and more "intimate" encounters with candidates and actors from past struggles, a great diversity of thought emerges. But they all have the same goal: not to be just "candidates for Beurs." With many activists from working-class neighborhoods, from Clichy-sous-Bois to Marseille, via Roubaix, and candidates Mouloud Aounit, Kamel Hamza, Faouzi Lamdaoui, Halima Boumedienne, Omar Slaouti, Samia Ghali, Karim Zeribi, Rama Yade, and others... Will these "new faces" of the Republic be in the picture when the votes are counted, or will they simply be "candidates for the Beurs"?

Jan Smuts is a foremost political figure in South African 20th Century History, and is recognised today by two of the world's leading historians as being at the very centre of the vision for a new world order that emerges from the League of Nations and the United Nations..  Yet, he is virtually persona non grata in his own country.... and largely ignored in school history books. This one hour drama-documentary, with its dramatised cameo scenes in which his look-alike grandson takes on the role of Jan Smuts, battle re-enactments, historical archival footage, comments from historians, political analysts, and South African political struggle heroes, looks back on his life and the circumstances that shaped it in search of some answers.

In the ‘poor crescent’ around Brussels one child in three lives on the poverty line. But they can find refuge with BX Brussels of Vincent Kompany – a sports and social project. Stranger follows recent immigrant Senegalese football coach Moussa as he struggles to give them hope in their sport … and in their life.

Michael Moore's view on how the Bush administration allegedly used the tragic events on 9/11 to push forward its agenda for unjust wars in Afghanistan and Iraq.

A documentary on Al Gore's campaign to make the issue of global warming a recognized problem worldwide.

In the 1968 movement in Paris, Jean-Luc Godard made a 16mm, 3-minute long film, Film-tract No.1968, Le Rouge, in collaboration with French artist Gérard Fromanger. Starting with the shot identifying its title written in red paint on the Le Monde for 31 July 1968, the film shows the process of making Fromanger’s poster image, which is thick red paint flows over a tri-color French flag. —Hye Young Min