Arpi Martoyan

Berj Djelladian

Arsen Soghomonyan

Lori, a Syrian-Armenian girl living in Armenia, believes her father is taking her on a summer trip. When she learns that her family is really leaving Armenia after already fleeing the war in Syria, she tries whatever she can to stay in a place that has great meaning for her.

Maysa unfolds over a single afternoon as a young woman and her stoic middle eastern mother navigate the quiet tension of a long-held silence. As memories of migration and girlhood surface in fractured flashbacks, their unspoken history begins to unravel. A tender, restrained portrait of love, resilience, and the things women carry - even when they no longer have to.

The story of Alex, who, with the help of his charismatic grandfather, embarks on a journey in search of his real self.

Osama said, "I often took walks with Luna. We roamed around Damascus, where nothing could compare to the smell of bread and jasmine in the morning. Sometimes, Luna would tell me stories about wonderful cities."

A mysterious American gets mixed up with gunrunners in Syria.

When Pak Tin Estate is going to be demolished, the residents will move to a new place, but how about the dead residents? Where could they go? Ho Ying-kuen who majors in Myth and Poetry, and Playwriting, leads us to a time and space of a demolishing public estate. We will come across the residents of the estate, a mother with her two sons selling incenses, and two monkeys having conversation about their mother. A mixture of fiction, experimental and documentary images, Lost Cemeteries studies about filial piety and death with a strange and interesting approach.

The film tells the story of Imri, who at 19 goes to live in Tel Aviv, but dreams of moving to Japan. Through his relationships and encounters and in diverse cinematic tools, we are introduced to the young person’s life. An exploration of living in the exotic city of Tel Aviv is presented through a hero who are themselves in the midst of exploring his own choice of an exotic place. A unique correlation is formed between the hero’s misconception of Japan and ours of them. The movie was constructed by both improvised and pre-scripted scenes, as required by the nature of each scene. (Source: Filmmaker Website)

A Hindu woman elopes with her Muslim lover, moving with him to Syria. Eventually separated by war, she cares for their handicapped child on her own.