A glimpse of life as seen through young people at a Zimbabwean children's home.

Fragments of fairy tales alternate with observations of children. Documentary and staged sequences are combined. There is no break and no contrast between reality, the children's behavior and the imagination; they merge into one another.

Short film about a deep-sea fishing steamer

In common with many L.A. Rebellion films, Snake touches on such themes as institutionalized racism, colonialism and the plight of women of color.  Narrated in the first person by the filmmaker as an epistle to her son, The Snake in My Bed tells Diegu's story as a Nigerian woman in Lagos who is romantically pursed by a German national who has “gone native.” Despite his secretive and duplicitous actions, she eventually agrees to marry him and has his child, only to learn that he is a bigamist with a German wife and child.

This documentary of repressive political realities in Cameroon begins with the 1990 publication of an open letter to President Biya calling for a national conference - and the immediate arrest of the letter's author and publisher. The narration then examines the nation's colonial history, beginning with the first German missionary in 1901, the establishment of schools, French occupation following World War I, the paucity of books written by and published by Cameroonians, and the repression of the CPU, a leftist organization of the 1950s and 1960s. Cameroon and its people are the lark, its feathers plucked first by colonialism and then by native strongmen: 'Alouette, je te plumerai.'

An elaborate ceremony marks the opening of the first Armenian church in England.