Anne Waldman

Guillermina Pico

Bouamama BenFareh

Žarko Laušević

Irina Giri

Structured as a labyrinth-like game and inspired by Jorge Luis Borges, Aleph is a travelogue of experience, a dreamer's journey through the lives, experiences, stories and musings of protagonists spanning ten countries and five continents.

Once the beating heart of Beijing’s steel industry, Shougang was a leviathan forged from iron and fire. Its blast furnaces once echoed with labour and ambition, embodying the raw force of China’s industrial might. Today, these same structures are repurposed into spaces of digital innovation and Olympic legacy, marking one of the most ambitious urban transformations in modern China.  This documentary traces the metamorphosis of Shougang Park through three poetic chapters: its industrial past, the deliberate reinvention of its architecture, and its re-emergence as a tech-driven ecosystem. Through immersive visuals and the voices of those who once toiled within its furnaces and those now forging its future, The Pulse Beneath the Steel is more than a portrait of place. It is a meditation on memory and transformation at the heart of a city that bridges heritage and modernity.

An investigative documentary tracing the life of Dr. Benaouda Benzerdjeb from his studies in Europe to his revolutionary medical work in Algeria, while challenging the colonial narrative surrounding his arrest and martyrdom.

In 1967, Visconti came to Algiers for the filming of The Stranger with Mastroianni and Anna Karina. Camus, during his lifetime, had always refused to allow one of his novels to be brought to the screen. His family made another decision. The filming of the film was experienced in Algiers, like a posthumous return of the writer to Algiers. During filming, a young filmmaker specializing in documentaries Gérard Patris attempts a report on the impact of the filming of The Stranger on the Algerians. Interspersed with sequences from the shooting of Visconti's film, he films Poncet, Maisonseul, Bénisti and Sénac, friends of Camus, in full discussions to situate Camus and his work in a sociological and historical context. “The idea is for us to show people, others, ourselves as if they could all be Meursault, or at least the witnesses concerned to his drama.”

Lionel Messi has won everything there is to win - except the World Cup. Can he finally lead Argentina to win it?

It's the unforgivable story of the two hundred thousands harkis, the Arabs who fought alongside the French in the bitter Algerian war, from 1954 to 1962. Why did they make that choice? Why were they slaughtered after Algeria's independence? Why were they abandonned by the French government? Some fifty to sixty thousands were saved and transferred in France, often at pitiful conditions. This is for the first time, the story of this tragedy, told in the brilliant style of the authors of "Apocalypse".

Cartoneras is a documentary that grapples with Latin America’s urban realities, and the cardboard publishing movement that has emerged from these in the 21st century. Reflecting on the different contexts that propelled this form of community publishing, like Argentina’s 2001 economic crisis, the independent art scene, and the movements which formed around waste-pickers, the film’s narrative is developed through conversations with important actors from the cartonera world.

A couple of artists travels through the Mexico desert to present their puppet show.