Richard Honzovič

A German Documentary about the “village of friendship” that was created by American Veteran George Mizo to help the Vietnamese kids suffering from the Vietnam War.

One of the mythic journeys of our time, through the exquisite, complicated, surprising terrain of Vietnam and Cambodia to the great ruins at Angkor - the magnificent Khmer temples being painstakingly restored deep in the Cambodian jungle. It is a high definition odyssey up a river far distanced in time from the corridor into the heart of darkness portrayed in Francis Coppola's "Apocalypse Now." In Angkor, the World Monuments Fund's John Stubbs and John Sanday describe their 15-year restoration of one of the jewels of a city called "the eighth wonder of the world." As we go inside the 12th Century temple complex of Preah Khan, along with the other major sites of Angkor Wat, Bayon and Banteay Srei, we learn that the story of their work in Angkor is not only a story of the rebirth of Angkor after the horrors of the Khmer Rouge Era, but it also is a story of the rebirth of Cambodia.

Former corporate whiz kid Robert McNamara was the controversial Secretary of Defense in the Kennedy and Johnson administrations, during the height of the Vietnam War. Augmented by archival footage and cabinet conversation recordings, Errol Morris gives the conflicted McNamara a platform on which he attempts to confront his and the U.S. government's actions in Southeast Asia in light of the horrors of modern warfare, the end of ideology and the punitive judgment of history.

A portrait of a Vietnamese-Canadian family opening up a restaurant and cocktail bar in Calgary's Chinatown, amid the COVID-19 pandemic.

Decolonising the Curatorial Process is a forty-minute documentary which explores decolonial strategies in an academic and curatorial context. The film features academics, activists and practitioners, and contains case studies of institutions that are deploying critical, self-reflective forms of curatorial practice. The Museum of London Docklands exhibition on slavery and the sugar industry is examined as an example of how an institution can decolonise the curatorial process, utilise the work of artists in a museum context, and critically examine East London's imperial history. The Pitt Rivers museum in Oxford, who are working with Maasai activists from Kenya and Tanzania on a project centred on repatriating the museum's collection of sacred Maasai artefacts, also features in the film.

Explores the distinctive features of the major rivers of the continent, and discusses their contributions to the farming, recreation, transportation and hydroelectric power of North America.

Each day, men from various parts of Asia make a stop in Ho Chi Minh City (Saigon) where they embark on their search for a perfect match. Using verité footage and interviews, Match Made offers a glimpse into the intricate network of the buying and selling of women as brides from villages around Saigon.