João Moreira Salles

Eduardo Escorel

Helena Ignez

Dácia Ibiapina

Fernão Pessoa Ramos

A flickering dance of intriguing imagery brings to light the possibilities of ordinary movements from the everyday which appear, evolve and freeze before your eyes. Made entirely from archive photographs and footage from the earliest days of moving image, All This Can Happen (2012) follows the footsteps of the protagonist from the short story 'The Walk' by Robert Walser. Juxtapositions, different speeds and split frame techniques convey the walker's state of mind as he encounters a world of hilarity, despair and ceaseless variety.

A sitting man listens to his thoughts, but can't catch any of them.

A fragmented collection of independent closed cinemas, in London during lockdown, captured on Super 8mm film.

Filled with raunchy laughs, this documentary compiles outrageous scenes from sex-comedies that shaped Brazil's "pornochanchada" boom of the 1970s.

The Water Map is an essayistic journey through the ethnography and landscapes of the Region of Murcia. These places are in the process of disappearing due to the increasing and abundant agricultural exploitation. Water has marked the territory and the culture of the area, and with its disappearance, the memories of four characters fade away.

The cooking show is as old as television itself. But why do we like watching the making of a meal that most of us will never cook, let alone eat? Dirty Furniture’s jam-packed video essay is a rollercoaster ride through the history of the genre, at once a staple of television viewing and a hotpot of shifting perspectives and sociocultural values.

In 2020 the Hungarian government announced the change of ownership at nine state universities in order to make them maintained by foundations. The so-called “restructuring” comprised the imposition of a board of trustees over the universities, the members of which being loyal supporters of the government holding stable positions in its economic halo. Only one of the nine institutions protested against the forced political takeover of the University of Theatre and Film Arts (SZFE). Our film presents one of the stories of the university blockade.

Born June 8, 1964, Frank Matter films four "twins", born the same day as him, but in other latitudes. Interweaving their  life stories with rich archival material, the filmmaker links these Parallel Lives with elements from his own biography, to compose a fascinating fresco where intimate trajectories are part of the advent of the global village.