Decolonising the Curatorial Process is a forty-minute documentary which explores decolonial strategies in an academic and curatorial context. The film features academics, activists and practitioners, and contains case studies of institutions that are deploying critical, self-reflective forms of curatorial practice. The Museum of London Docklands exhibition on slavery and the sugar industry is examined as an example of how an institution can decolonise the curatorial process, utilise the work of artists in a museum context, and critically examine East London's imperial history. The Pitt Rivers museum in Oxford, who are working with Maasai activists from Kenya and Tanzania on a project centred on repatriating the museum's collection of sacred Maasai artefacts, also features in the film.

Explores the distinctive features of the major rivers of the continent, and discusses their contributions to the farming, recreation, transportation and hydroelectric power of North America.

Presents a geographic overview of the Rocky Mountain region. Discusses the significant role that this region of natural resources has played in the development of the continent

Documentary film about the Czechoslovak natural science group's expedition to Iceland in June 1948.