Caveh Zahedi

Beckett Zahedi

ZuZu Snyder

Amanda Field

Colin Nusbaum

When an American filmmaker is commissioned to make a film for a Middle East Biennial on the theme of 'art as a subversive act,' his film is banned for blasphemy, he is asked to destroy every copy, and threatened with arrest.

Director Denys Arcand made an inquiry on textile industry in Quebec, meeting employers and workers of that industry.

The story of the sexual memoirs of a Victorian gentleman who revealed himself as Walter. He documented his liaisons in a frank series of journals which ran to eleven volumes and 1.5 million words, titled 'My Secret Life'. Within the journals he documented details of his liaisons, the names of the women, their social standing, and their conversation. For a century, this material was considered obscene, its publication illegal. Today, however, it's seen as a unique insight into Victorian social and sexual mores, providing valuable information on class, gender, marriage, fidelity and morality. This film looks at the dark life of 'Walter', and examines the way his journals have shaped contemporary understanding of Victorian society. The film also examines the mystery that has surrounded this story - who exactly was 'Walter'? The film asks whether he could have been Henry Ashbee, a wealthy London gentleman who was obsessed with sex and attained a pornographic library of over 15,000 volumes.

When Francois Truffaut approached Alfred Hitchcock in 1962 with the idea of having a long conversation with him about his work and publishing this in book form, he didn't imagine that more than four years would pass before Le Cinéma selon Hitchcock finally appeared in 1966. Not only in France but all over the world, Truffaut's Hitchcock interview developed over the years into a standard bible of film literature. In 1983, three years after Hitchcock's death, Truffaut decided to expand his by now legendary book to include a concluding chapter and have it published as the "Edition définitive". This film describes the genesis of the "Hitchbook" and throws light on the strange friendship between two completely different men. The centrepieces are the extracts from the original sound recordings of the interview with the voices of Alfred Hitchcock, Francois Truffaut, and Helen Scott – recordings which have never been heard in public before.

Released two years after James Dean's death, this documentary chronicles his short life and career via black-and-white still photographs, interviews with the aunt and uncle who raised him, his paternal grandparents, a New York City cabdriver friend, the owner of his favorite Los Angeles restaurant, outtakes from East of Eden, footage of the opening night of Giant, and Dean's ironic PSA for safe driving.

Documentary film interviews leading Latinos on race, identity, and achievement.

The God Complex is an irreverent, ultra‑low‑budget biblical satire that deliberately mocks well‑known stories from the Bible, turning God and key figures into broad comic caricatures. Rather than treating Scripture with any reverence, the film uses parody, crude humor, and exaggerated “logical” twists specifically to ridicule Christian beliefs and present the Bible’s narratives as silly and absurd.

In "Diana: The Mourning After" Christopher Hitchens sets out to examine the bogusness of "a nation's grief", tries to uncover the few voices of sanity that cut against the grain of contrived hysteria. His findings suggested that the collective hordes of emotive Dianaphiles sobbing in the streets were not only encouraged but emulated by the media. In the aftermath of Diana's death a three-line whip was enforced on newspapers and on TV, selling the sainthood line wholesale. The suspicion was that journalists, like the public, greeted the death as a chance to wax emotional in print, as a change from the customary knowing cynicism, to wheel out all those portentous phrases they'd been saving up for the big occasion. Sadly, they just seemed to be showboating; the eulogies, laments and tear-soaked platitudes ringing risibly hollow.

A documentary on kids who attend a summer camp hoping to become the next Billy Graham.